In Yugoslavia's "Third Way" architecture, Brutalism meets the fantastical
Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the "Third Way," local architects produced a veritable "parallel universe" of modern architecture during the 45 years of the country's existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.
Published in conjunction with a major exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first publication to showcase an understudied but important body of modernist architecture. Featuring new scholarship and previously unpublished archival materials, this richly illustrated publication sheds light on key ideological concepts of Yugoslav architecture, urbanism and society by delving into the exceptional projects and key figures of the era, among them Bogdan Bogdanovic, Zoran Bojovic, Drago Galic, Janko Konstantinov, Georgi Konstantinovski, Niko Kralj, Boris Magas, Juraj Neidhardt, Joze Plecnik, Svetlana Kana Radevic, Edvard Ravnikar, Vjenceslav Richter, Milica Steric, Ivan Straus and Zlatko Ugljen.
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木有期待的好看
评分@ MoMA
评分我真的太爱巴尔干这片土地了
评分住在乡下看不了扭腰的展览，只好买本书解解馋。以前对前南斯拉夫这个社会主义奇葩并没多在意，仔细读下来，光从建筑角度就很有意思了。考虑夏天去塞尔维亚的音乐节，巴尔干逛起来？
评分去年初在MoMA看到最优秀的建筑展，为数不多观展完冲去书店买的策展集：南斯拉夫20世纪后半叶的社会历史，神秘又极具张力的现代主义建筑、雕塑和摄影，富有强烈苏联集体主义和西方结构主义的城市规划，过于冷峻且壮阔！希望未来能实地走进这些建筑中。SY
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