Allegory and Ideology pdf epub mobi txt 電子書 下載2025
Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture's relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, The Modernist Papers, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital.
- 理論
- 文學理論
- 詹姆遜
- 民族寓言
- 意識形態
- 寓言
- 後現代
Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.
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所以說啊，Mulan就隻瞭個預告片，就把老詹這書裏列齣的文本/曆史維度（木蘭辭的文本）、寓言維度（木蘭的“東方性”和“民族性”）、個體主體性建構維度（中國觀眾的情感、情動與心理）和集體政治無意識維度（......）都碰瞭個遍... 沒有爭議纔怪
评分所以說啊，Mulan就隻瞭個預告片，就把老詹這書裏列齣的文本/曆史維度（木蘭辭的文本）、寓言維度（木蘭的“東方性”和“民族性”）、個體主體性建構維度（中國觀眾的情感、情動與心理）和集體政治無意識維度（......）都碰瞭個遍... 沒有爭議纔怪
评分Intriguing, but in the end, irrelevant. It was about neither Hamlet nor History, but post/meta-explanation of previous explanations, which I dont really care. Literature walks the walk without critics talk the talk. btw Healthy ideas of History usually dont come from literature, which boasts ambiguity.
评分所以說啊，Mulan就隻瞭個預告片，就把老詹這書裏列齣的文本/曆史維度（木蘭辭的文本）、寓言維度（木蘭的“東方性”和“民族性”）、個體主體性建構維度（中國觀眾的情感、情動與心理）和集體政治無意識維度（......）都碰瞭個遍... 沒有爭議纔怪
评分寓言作為那個打開意識形態的中間物，發生機製是個體的（弗洛伊德的精神分析的），也是集體的（阿爾都塞意義上的曆史的科學的），在不同範式的文本的敘事傳統中比如塔木德主義，還比如本雅明靈知主義，都有其脈絡，而後現代社會更適閤用這一傳統去把握，雖然四層都發生瞭瓜塔裏意義上的“橫越”……比較新的東西是對第三世界民族寓言的爭論（尤其是ahmed）做瞭迴應。
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