Siteless

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出版者:The MIT Press
作者:François Blanciak
出品人:
页数:128
译者:
出版时间:2008-03-31
价格:USD 14.95
装帧:Paperback
isbn号码:9780262026307
丛书系列:
图书标签:
  • 建筑 
  • 设计 
  • 形体 
  • architecture 
  • 建筑设计 
  • 建筑理论 
  • icon 
  • 艺术 
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen if architects liberated their minds from the constraints of site, program, and budget? he asks. The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.The 1001 building forms in SITELESS include structural parasites, chain link towers, ball bearing floors, corrugated corners, exponential balconies, radial facades, crawling frames, forensic housing--and other architectural ideas that may require construction techniques not yet developed and a relation to gravity not yet achieved. SITELESS presents an open-ended compendium of visual ideas for the architectural imagination to draw from. The forms, drawn freehand (to avoid software-specific shapes) but from a constant viewing angle, are presented twelve to a page, with no scale, order, or end to the series. After setting down 1001 forms in siteless conditions and embryonic stages, Blanciak takes one of the forms and performs a "scale test," showing what happens when one of these fantastic ideas is subjected to the actual constraints of a site in central Tokyo. The book ends by illustrating the potential of these shapes to morph into actual building proportions. Francois Blanciak is an architect and Research Fellow at the University of Tokyo. He has worked for architectural firms in Los Angeles, Copenhagen, Hong Kong, and New York, with architects including Frank Gehry and Peter Eisenman.

具体描述

读后感

评分

一本有意思的小册子。 你很难发现作者是怎样在思考的,他思考的出发点是什么,他这样思考的依据又是什么。这些奇形怪状的形体见不出有源头,也料不到有用处,只是忽然一下子,莫名其妙地冒了出来。最早看到这本书的时候,料定作者是受了Rem Koolhass的影响——Rem把纽约的棋盘...

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You can read the book in five minutes or five years, or even it isn't worth reading at all. It makes laugh at the current architectural trend - 'formalism', althogh this may not be the author's original intention. However, it is still a quite enjoyable book...  

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subject city体系下建筑语汇的开放集合小书,可以随意一翻。   原书句子,what would happen,if architects liberated their minds from the constraints of site, program,and budget?   然而,私以为建筑师不可以如此自我解放。单论想象,也很难感到形式背后有所支撑...  

评分

一本有意思的小册子。 你很难发现作者是怎样在思考的,他思考的出发点是什么,他这样思考的依据又是什么。这些奇形怪状的形体见不出有源头,也料不到有用处,只是忽然一下子,莫名其妙地冒了出来。最早看到这本书的时候,料定作者是受了Rem Koolhass的影响——Rem把纽约的棋盘...

评分

subject city体系下建筑语汇的开放集合小书,可以随意一翻。   原书句子,what would happen,if architects liberated their minds from the constraints of site, program,and budget?   然而,私以为建筑师不可以如此自我解放。单论想象,也很难感到形式背后有所支撑...  

用户评价

评分

纯图片的prototype,姑且这么说吧

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窃以为题记引得很恰当:We think the more directions that architecture takes at this point, the better. - D. S. Brown & R. Venturi。本书也是当代建筑纷繁思潮中的一朵奇葩。可以一看,不用有太多价值判断。

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非常需要进行形体方面的特训

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形状合集

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纯图片的prototype,姑且这么说吧

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