"Traveling is the ruin of all happiness!" wrote the 18th-century novelist Fanny Burney. It's a conclusion we might draw from Kira Salak's harrowing first novel, The White Mary, an account of a young woman's plunge into her own heart of darkness during a journey across Papua New Guinea.
Returning to the United States after a nightmarish encounter while reporting on war in the Congo, Salak's protagonist, Marika Vecera, is withdrawn and unable to reconnect with her supernaturally patient psychologist boyfriend, Seb. She's obviously suffering from post-traumatic stress disorder, which happens to be the subject of Seb's dissertation. But Marika's dissociative state dissolves when she learns of the suicide of her idol, Robert Lewis. A Pulitzer Prize-winning journalist and bestselling author, Lewis was "probably the most famous writer and foreign correspondent of his generation," a man who "had devoted his life to relating the plights of those suffering most in the world." Marika worshipped Lewis, a man she never met but who served as a kind of absent mentor and father figure. What could possibly drive such a person to drown himself off the coast of Malaysia?
Marika begins researching Lewis's life, determined to write his biography. A visit to his sister turns up a disturbing letter from a missionary recently returned from Papua New Guinea. "Approximately five months ago, while engaged in evangelical work in remoter regions of the country, I came across an unlikely occurrence: a white man with a beard and glasses, who bore an exact resemblance to Robert Lewis, the writer and journalist. . . . As far as I am concerned, the man I saw in PNG was undoubtedly him."
Marika's research becomes an obsession that takes her to PNG. There she engages Tobo, a sorcerer who reluctantly agrees to lead this "white meri" -- the Pidgin term for "white woman" -- into the interior to search for Lewis, first by river and then on foot.
With its hellish journey through a spectacularly inhospitable landscape, The White Mary necessarily evokes Heart of Darkness and features more leeches than John Huston's film "The African Queen." Salak's descriptions of the jungle passage are compelling and dreamlike. Even stronger are flashbacks of Marika in Bodo and a wrenching, horrific account of Lewis's capture and torture in East Timor. Salak's own journalistic experiences -- she covered the Rwandan genocide and the 2003 war in the Congo, among other conflicts -- have armed her with heartfelt, if indelibly grim, insights into man's capacity for "an endless stream of the worst, most inconceivable acts of inhumanity."
The White Mary contains extremely graphic scenes, but they are never gratuitous, and Marika has the courage to ask the hard questions about such "diabolical expressions of the human soul." "Was it possible to see such things and be the same afterward? To live that 'normal' life? She didn't know. . . . 'Insanity' had struck her as the sanest possible response to such a place. The specter of not going insane was enough to haunt her."
But the novel's momentum is thrown off by Salak's often clumsy interweaving of these various narrative threads. Marika's romantic relationship with Seb is unconvincing and somewhat ludicrous, rife with platitudes gleaned from 12-step programs. Yet Marika's friendship with the sorcerer Tobo is depicted with remarkable delicacy and, in its final pages, helps her achieve something close to rapture. "It is always advisable to take darkness out of a person," Tobo observes, "but not to put it in." In The White Mary, Salak shows the courage of facing down that darkness and the inescapable price it exacts upon one's soul. ·
Elizabeth Hand's most recent novel is "Generation Loss."
Cited from <http://www.washingtonpost.com/wp-dyn/content/article/2008/09/11/AR2008091102372.html?nav=rss_print/bookworld>
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我一直对那些能够触及人性最深处的小说情有独钟,《The White Mary》无疑满足了我的这种期待。它深入探讨了人性的善与恶,光明与阴影,以及我们在面对困境时所展现出的坚韧与脆弱。书中的人物并非完美无缺,他们有着自己的缺点和挣扎,正是这种不完美,让他们显得更加真实和 relatable。我看到他们在命运的洪流中奋力抗争,在道德的边缘徘徊,在爱与恨之间纠结。作者并没有简单地将人物划分为好人或坏人,而是展现了人性的多面性,以及环境对一个人行为的深刻影响。这本书让我思考,在极端的情况下,我们究竟会变成什么样?我们内心的底线在哪里?这些问题没有简单的答案,但《The White Mary》提供了一个引人深思的视角。
评分《The White Mary》的叙事方式非常独特,它不像许多小说那样线性推进,而是通过层层递进的笔触,慢慢地揭示出故事的全貌。这种“碎片化”的叙事反而更加引人入胜,让我仿佛一个侦探,在字里行间寻找线索,拼凑出完整的图景。我必须承认,在阅读的过程中,我曾有过困惑,但正是这种困惑,让我更加努力地去理解作者的意图,去挖掘故事更深层次的含义。当真相逐渐浮出水面时,那种豁然开朗的感觉,简直令人欣喜若狂。作者的文字功底可见一斑,他能够用简洁而又富有力量的语言,描绘出复杂的人物内心世界,以及宏大的场景。每一次的转折都出人意料,每一次的伏笔都恰到好处。这本书挑战了我对叙事的固有认知,也让我体验到了另一种阅读的乐趣。
评分我一直认为,能够让读者在阅读后产生持续的思考,是衡量一本优秀书籍的重要标准,《The White Mary》无疑做到了这一点。合上书页,故事并没有随之结束,它在我脑海中留下了挥之不去的印记,让我不断地回味其中的细节,咀嚼其中的含义。我发现自己会不自觉地在日常生活中,将书中的情境与现实进行对比,去思考人物的动机,去揣摩作者的意图。这种“阅读后遗症”,恰恰说明了这本书的独特魅力。它不是那种读完就忘的读物,而是能够长久地影响你,甚至改变你对某些事物的看法。
评分《The White Mary》的结构设计堪称精巧。我喜欢作者在叙事结构上的大胆尝试,它打破了传统的框架,为我带来了耳目一新的阅读感受。这种结构上的创新,不仅没有让故事变得混乱,反而更加增强了它的吸引力和深度。每一个章节的衔接都恰到好处,每一个细节的设置都别有用心。我常常在阅读一个看似不相关的情节时,却在后面的章节中发现它与主线千丝万缕的联系。这种“伏笔”的设置,让我充满了探索的欲望,也让我对作者的构思之精妙赞叹不已。它让我明白,好的故事不仅仅在于内容,更在于如何巧妙地将其呈现出来。
评分我通常对那些过于“说教”或者“励志”的书籍不太感冒,但《The White Mary》却以一种非常巧妙的方式,传递出了深刻的哲理。它没有直接告诉你应该怎么做,而是通过故事本身,通过人物的经历,去引发你的思考。你会在不经意间,从那些看似平凡的对话中,或者某个不经意的举动中,发现生活的智慧。我发现这本书不仅仅是关于一个情节曲折的故事,它更是一本关于如何面对生活、如何认识自己、如何与世界相处的指南。它教会我,即使在最黑暗的时刻,也要怀揣希望,也要相信自己的力量。这种润物细无声的教导,比任何直接的训诫都要来得更有力量。
评分从《The White Mary》的字里行间,我感受到了一种深厚的文化底蕴。无论是在人物的塑造,还是在对社会背景的描绘上,都透露出作者对某个特定时期或文化的深刻理解。这种文化层面的丰富性,为故事增添了更多的维度,也让我对故事的背景有了更深入的了解。我仿佛能够穿越时空,亲身体验那个时代的生活,感受那里人们的情感和信仰。作者并没有生硬地将文化元素堆砌在一起,而是将其自然地融入到故事的脉络中,让它们成为故事不可分割的一部分。这使得《The White Mary》不仅仅是一部小说,更像是一扇了解某个文化窗口。
评分《The White Mary》最让我印象深刻的,是它对“希望”这一主题的诠释。在整个故事的进程中,尽管遭遇了种种艰难险阻,尽管充满了不确定性和挑战,但“希望”始终像一盏明灯,指引着主人公前进的方向。这种希望并非盲目的乐观,而是建立在对现实的深刻认知之上,建立在对自身力量的坚定信念之中。我看到主人公在绝望中寻找生机,在困境中迸发出惊人的勇气。这本书让我相信,即使面对最严峻的考验,只要心中怀揣希望,就有可能找到出路,就有可能战胜困难。这种积极的力量,是我从《The White Mary》中获得的最宝贵的财富。
评分读完《The White Mary》,我感觉自己仿佛经历了一场心灵的洗礼。作者在文字中构建了一个极其细腻而又充满张力的世界,每一个场景都仿佛触手可及,每一个人物都栩栩如生。我被深深地吸引,沉浸在故事的情节之中,与主人公一同经历着他们的喜怒哀乐。这本书不仅仅是在讲述一个故事,它更像是在引导读者去思考一些关于生命、关于存在的根本性问题。我尤其喜欢作者对于情感的细腻描绘,那些复杂而又真实的情感纠葛,让我不禁反思自己的人生,以及与身边人的关系。它没有刻意去煽情,但字里行间却流露出一种淡淡的忧伤和深刻的思考,这种力量是如此强大,以至于读完之后,我依然久久不能平静。这本书给我带来的不仅仅是阅读的乐趣,更是一种精神上的滋养。它让我重新审视了自己,也让我对生活有了更深的理解和感悟。
评分这本书的书名《The White Mary》就有一种神秘而诱人的气质,它让我忍不住去想象,这个“Mary”究竟是怎样的存在?是天使般的纯洁,还是某种象征着力量或信仰的具象化?从书名本身,我便预感到这不会是一部平淡无奇的故事,它可能触及到内心深处的情感,或者揭示一些隐藏在表象之下的真相。在翻开第一页之前,我的脑海中已经勾勒出无数的可能性,每一个词语都像是一扇门,等待着我去推开,去探索门后的世界。我期待着它能够带给我一种前所未有的阅读体验,不仅仅是情节的跌宕起伏,更是一种思想的启迪,一种情感的共鸣,或者是一种对人性深邃之处的洞察。我希望这本书能够像它的名字一样,在我的脑海中留下深刻的印记,成为一段难以忘怀的旅程。它可能是一个关于成长、关于失落、关于救赎的故事,也可能是一个关于爱、关于恨、关于牺牲的史诗。无论如何,我都已经准备好,跟随“The White Mary”的脚步,走进那个未知的世界,去感受它带来的所有震撼和感动。
评分《The White Mary》在氛围的营造上做得非常出色。从一开始,我就被一种独特的、略带压抑却又充满魅力的氛围所笼罩。这种氛围并非来自刻意的渲染,而是自然地渗透在字里行间,影响着我的情绪,也塑造着我对故事的感知。无论是幽深的森林,还是古老的建筑,甚至是人物微妙的表情,都仿佛被一种无形的力量所笼罩。我能够感受到空气中的湿度,听到远处的声响,甚至闻到空气中弥漫的气息。这种沉浸式的阅读体验,让我觉得自己不仅仅是在阅读一个故事,更像是在亲身经历一段旅程。作者的文字如同一幅幅精心绘制的画卷,将故事的场景和人物的情感,以一种令人惊叹的方式呈现出来。
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