Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art. Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both more open and more historically determined than traditional views have allowed. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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评分這個版本，有許多腳注，不過我大多跳過瞭（這種書，是不是要配個要拿放大鏡？），前幾日看 天纔捕手，影片中提及卡利班（金剛狼 中，也有個卡利班），因此想重溫一下此劇，但並沒有讀齣新意。
评分這個版本，有許多腳注，不過我大多跳過瞭（這種書，是不是要配個要拿放大鏡？），前幾日看 天纔捕手，影片中提及卡利班（金剛狼 中，也有個卡利班），因此想重溫一下此劇，但並沒有讀齣新意。
评分這個版本，有許多腳注，不過我大多跳過瞭（這種書，是不是要配個要拿放大鏡？），前幾日看 天纔捕手，影片中提及卡利班（金剛狼 中，也有個卡利班），因此想重溫一下此劇，但並沒有讀齣新意。
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