Married Love or Love in Marriage is a book by British academic Marie Stopes, first published in March 1918 by a small publisher, after many other larger publishers turned her down because of its controversial content. It rapidly sold out, and was in its sixth printing within a fortnight.
The US Customs Service banned the book as obscene until April 6, 1931, when Judge John M. Woolsey overturned that decision. Woolsey was the same judge who in 1933 would lift the ban on James Joyce's Ulysses, allowing for its publication and circulation in the United States of America.
It was the first book to note that women's sexual desire coincides with ovulation and the period right before menstruation. The book argued that marriage should be an equal relationship between partners. Although officially scorned in the UK, the book went through 19 editions and sales of almost 750,000 copies by 1931.
In 1935 a survey of American academics said Married Love was one of the 25 most influential books of the previous 50 years, ahead of Relativity by Albert Einstein, Interpretation of Dreams by Sigmund Freud, Mein Kampf by Adolf Hitler and The Economic Consequences of the Peace by John Maynard Keynes.
The book was the basis for a 1923 British silent film adaptation Married Love directed by Alexander Butler.
Marie Charlotte Carmichael Stopes (15 October 1880 – 2 October 1958) was a British author, palaeobotanist and campaigner for eugenics and women's rights.
She made significant contributions to plant palaeontology and coal classification, and was the first female academic on the faculty of the University of Manchester. With her second husband, Humphrey Verdon Roe, Stopes founded the first birth control clinic in Britain.
Stopes edited the newsletter Birth Control News, which gave explicit practical advice. Her sex manual Married Love (1918) was controversial and influential, and brought the subject of birth control into wide public discourse. Stopes opposed abortion, arguing that the prevention of conception was all that was needed.
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从内容脉络来看,这本书的叙事结构非常精巧,它并非采用线性叙事一板一眼地推进故事,而是通过多重视角的切换和时间线的交织,构建了一个复杂而立体的世界观。初读时,你可能会觉得信息量略大,需要集中精神去梳理人物之间的错综关系和潜在动机。但一旦你适应了这种节奏,就会发现作者高超的叙事技巧,每一个看似不经意的细节,最终都会在后文中找到呼应,形成一个完整而严密的逻辑闭环。这种精妙的布局,让人不得不佩服作者对故事走向的绝对掌控力。它挑战了读者对传统叙事模式的期待,迫使我们以一种更加审慎和开放的心态去迎接情节的发展。这种对阅读习惯的“颠覆性”尝试,使得阅读过程充满了智力上的挑战和乐趣,而不是简单的消磨时间。
评分整体而言,这本书的价值体现在它带来的持久影响上。它不仅仅是一本可以快速消费掉的读物,更像是一个可以常伴左右的知识伙伴。我发现,每隔一段时间重拾这本书,都会因为自身阅历的增长而产生新的感悟,那种“昨日之我未解,今日之我已明”的惊喜感,是阅读过程中最宝贵的收获。它成功地在文学艺术性与思想深刻性之间搭建了一座坚实的桥梁,让读者既能欣赏到优美的文字表达,又能汲取到有益于人生的智慧。对于任何一个珍视阅读、追求精神滋养的人来说,这本书绝对是书架上不可或缺的一员,它的存在本身就是对高质量阅读的一种无声倡导。它经得起时间的考验,并将继续以其独特的光芒照亮后来的读者。
评分这本精装书的装帧设计确实令人眼前一亮,那种沉甸甸的质感,拿在手里就感觉仿佛捧着一件艺术品。封面那种古典的字体和柔和的色调,让人立刻感受到了一种沉静而庄重的氛围,非常适合放在书架上作为一种陈设。我特别欣赏它在细节上的用心,比如书脊的烫金工艺,在灯光下微微闪烁,低调而又不失格调。而且,纸张的质地也相当考究,那种略带粗糙但又非常细腻的触感,使得阅读过程本身变成了一种享受。翻开书页,你会发现排版布局也十分合理,字体的选择和行距的设置都非常人性化,长时间阅读也不会感到视觉疲劳。每次我拿起它,都忍不住要细细摩挲一下封面,这种实体书的魅力是电子阅读器无法替代的。可以说,单从外在来看,它就已经达到了一个极高的水准,完全符合人们对经典文学作品应有的尊重与期待。那种墨香与纸张特有的气味混合在一起,构筑了一种让人沉醉的阅读空间,仿佛能穿越时空,直接触碰到那个时代的文化气息。
评分这本书所探讨的主题,其深度和广度令人震撼,它远远超越了表面的情节冲突,直抵人性的核心。我感受到的是一种对人类情感光谱的细腻描摹,那些关于承诺、责任、渴望与妥协的讨论,至今读来仍能引起强烈的时代共鸣。作者似乎拥有一种魔力,能够将那些宏大而抽象的社会议题,巧妙地融入到个体最私密的情感挣扎之中,使得理论不再是冰冷的教条,而是鲜活的生命体验。每一次阅读,都像是一次深度的自我审视,迫使我反思自己对这些永恒命题的态度和立场。它不是提供简单的答案,而是提出更深刻的问题,引导读者进行更深入的哲学思辨。这种促人思考的力量,才是真正区分平庸作品与不朽经典的试金石。
评分阅读体验上,这本书的内文处理无疑是下了一番大功夫的,排版的疏密得当,使得那些复杂的长句也不至于让人望而生畏。我尤其关注的是译者的处理方式,好的译本能让原著的精髓得以完整保留,同时又符合现代读者的阅读习惯。这本书在这方面做得非常出色,它既保留了原著特有的时代语境和微妙的情感张力,又通过精准且富有文采的语言,将那些深层次的哲学思考和微妙的人际关系描摹得淋漓尽致。我常常会因为一个恰到好处的词语选择而停下来,回味许久,那种由心底泛起的共鸣感是难以言喻的。它不是那种直白地告诉你“发生了什么”的书,而是需要读者主动投入心力去解读和体会的,每一次重读都会有新的发现,就好像在迷宫中不断找到新的出口一样令人兴奋。这种层次感和厚度,正是经典作品永恒的魅力所在。
评分the very first sex manuel written by a feminist avantgarde that made people eyes-wide-open a century ago 。。
评分the very first sex manuel written by a feminist avantgarde that made people eyes-wide-open a century ago 。。
评分the very first sex manuel written by a feminist avantgarde that made people eyes-wide-open a century ago 。。
评分the very first sex manuel written by a feminist avantgarde that made people eyes-wide-open a century ago 。。
评分the very first sex manuel written by a feminist avantgarde that made people eyes-wide-open a century ago 。。
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