阿扎尔•纳菲西(Azar Nafisi)
伊朗裔美国女作家、学者、评论家。
1955年生于伊朗,13岁赴海外留学,26岁时获得美国俄克拉荷马州立大学文学博士学位。后归国任教于德黑兰大学等三所高校,但因在女性的穿着与行为等问题上与校方产生严重分歧而被辞退。1997年纳菲西返回美国,以访问学者的身份就职于约翰•霍普金斯大学。
除此书以外,纳菲西还在《纽约时报》、《华盛顿邮报》、《华尔街日报》等主流媒体上发表文化批评专栏,如今已成为美国炙手可热的评论家。
Every Thursday morning for two years in the Islamic Republic of Iran, Azar Nafisi, a bold and inspired teacher, secretly gathered seven of her most committed female students to read forbidden Western classics. Some came from conservative and religious families, others were progressive and secular; some had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they removed their veils and began to speak more freely–their stories intertwining with the novels they were reading by Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov. As Islamic morality squads staged arbitrary raids in Tehran, as fundamentalists seized hold of the universities and a blind censor stifled artistic expression, the women in Nafisi’s living room spoke not only of the books they were reading but also about themselves, their dreams and disappointments.
Azar Nafisi’s luminous masterwork gives us a rare glimpse, from the inside, of women’s lives in revolutionary Iran. Reading Lolita in Tehran is a work of great passion and poetic beauty, a remarkable exploration of resilience in the face of tyranny, and a celebration of the liberating power of literature.
1956年,纳博科夫在《洛丽塔》的出版后记中有些悲观的写到,不应指望一个自由国家的作家会关心美感和肉欲之间的确切界限。在对《洛丽塔》的解读中,他遭受到了各式各样的误读,色情可能是贴到这部作品上最耀眼的标签,而类似于“古老的欧洲诱奸了年轻的美国”这样的隐喻式评价...
评分 评分澎湃新闻:为什么会写下《在德黑兰读洛丽塔》? 纳菲西:与其说是作家选择了写作主题,不如说是这些主题选择了作家。我的某个经历、想法或某种情绪会牢牢抓住我,萦绕心间。我常常夜不能寐地思考这些,然后很快就想从各个角度调查并研究它,这是我开始创作的原因。住在伊朗的...
评分刊《经济观察报》 由于众所周知的原因,北朝鲜的一举一动都被世人所关注着。这里所说的“众所周知的原因”,当然包括这个国度里充满了各种的禁忌。禁忌产生好奇,让世人对了解北朝鲜的心理更加强烈。前几年,报告文学作家叶永烈先生深入北朝鲜之后,出版了《真实...
评分http://www.douban.com/event/25777973/discussion/612935358/ 根据活动录音整理而成,已经校对,有些许次序的调换和语句的修改。 我的部分,基本是自己做的整理。 张阅:请问在座的各位,有没有在伊斯兰地区的朋友?那么日本朋友或者台湾朋友呢? 有的吧...
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