Philip Jodidio was the editor in chief of the French art journal Connaissance des Arts from 1980 to 2002. He is the author of more than fifteen books, including monographs on Tadao Ando, Norman Foster, and Richard Meier. Janet Adams Strong is an architecture historian who has taught at Brown University and Rhode Island School of Design. She was director of communications in I. M. Pei’s office for eighteen years. Carter Wiseman is the author of I. M. Pei: A Profile in American Architecture. He was New York Magazine’s architecture critic for sixteen years.
When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." I. M. Pei: Complete Works, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations, culminating in the last works he is currently completing. Often working in a spare geometry with a palette of stone, concrete, glass, and steel, Pei—who began his career pioneering public housing projects in New York City—has taken his vision of modern architecture across the globe with commissions in locations as diverse as Quatar, China, Luxembourg, Japan, and Germany. Meanwhile, major projects such as the JFK Library in Boston and the East Building of the National Gallery of Art in Washington, D.C., have made him a household name in the United States.
读英文原版的书籍当然是最有意思的了。。。。。但是这个价格也让人泪花流。。。。。贝聿铭一直是我很喜欢的中国建筑家之一。不过每次看到他我都在想,如果他一直在中国,他的理想还能保存么? 我们总是被生存的现实沦陷,总是被物质蒙蔽双眼,但是我们的梦想,却在我们的冷淡中...
評分这本书买了很久今天才读完,去年跟婧婧说我很喜欢贝聿铭设计的苏州博物馆,婧婧去了还拍了很多照片带回来分享给我看。你看好的建筑也承载了人和人之间的一种情感交流。 一直都很喜欢现代建筑,喜欢几何图形在建筑里的运用,贝聿铭在运用这些元素的同时更加注重建筑与环境与文化...
評分由于贝律铭的论著较少,若考虑其普及的入门读本,本书还是不错的。 图片精美,背景故事较为丰富。 但,书中(或许是翻译的问题)很多地方,语言体系较为混乱,重复,像是很多资料拼凑成的。 同时,书中所列建筑够全,却不够细,基本的总平面图和平面、剖面图都非常缺失,即便...
評分老贝1917年出生,想来这本东西也算真正的全集了吧。1918年生的伍重去世了,又一个大师凋谢的年代。 贝对华人建筑设计界的影响恐怕要很多年以后才能看得清楚。 贝的东西,拥有力量与优雅。尤其喜欢早年的伊弗森美术馆和晚年的美秀的博物馆。
評分贝氏成为现代建筑大师是理所当然的,其建筑设计的天赋,早在1948年的圆形螺旋公寓便已经揭示大师的到来。贝氏对设计的解题有其独到的观察及处理,每每引人赞叹。在国家美术馆东馆的设计中更添神来之笔,开工9个月后,突然灵光乍现,为求完美愿自掏腰包不收变更设计费,自费将格...
改變瞭對貝的一點偏見
评分改變瞭對貝的一點偏見
评分改變瞭對貝的一點偏見
评分改變瞭對貝的一點偏見
评分騙人的 根本不全
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