When Freudian sexual theory hit China in the early 20th century, it ran up against competing models of the mind from both Chinese tradition and the new revolutionary culture. Chinese theorists of the mind--both traditional intellectuals and revolutionary psychologists-- steadily put forward the anti-Freud: a mind shaped not by deep interiority that must be excavated by professionals, but shaped instead by social and cultural interactions. Chinese novelists and film directors understood this focus and its relationship to Mao's revolutionary ethos, and much of the literature of twentieth-century China reflects the spiritual qualities of the revolutionary mind. "From Ah Q to Lei Feng" investigates the continual clash of these contrasting models of the mind provided by Freud and revolutionary Chinese culture, and explores how writers and filmmakers negotiated with the implications of each model. .
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作者在开头批判一批学者采用理论套文本的方式分析中国现当代文学，导致一种目的论模型：中国社会定会走向与西方一样的性的现代性中，也即暗示性解放与政治解放挂钩。作者认为错误的研究模式导致学者们将革命激情看作简单的性欲的升华。于是作者开启了两天反驳线路：一是第一二章，梳理弗洛伊德在美法的传播接受批判与中国的接受语境和批判要点；第四五六章从革命精神与革命话语在当代中国文学电影的处理案例入手，论证性欲和革命精神关系的复杂性，比如《黄金时代》的性与革命主体的对立，并非性而是叙事时间是关键点，姜文电影中的性又与革命精神相连接，并非性而是青春和未来是关键点。第三章被两条线索包裹在本书中间，以历史的方式梳理“精神”如何参与塑造革命主体进而与社会关系、社会定位有关。在结语部分作者又一次表达了强烈的学科范式关切。
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评分The main goal of this book is to historically trace and deconstruct Freudian sexual theory while targeting at researchers’ proposition of sexuality as an overarching explanatory concept or uncritical use of concepts such as repression or sublimation. 段落过渡时的连接句很能帮助读者将上下文连接起来。
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