具体描述
How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
"Seeing comes before words. The child looks and recognizes before it can speak."
"But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."
John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings... he will almost certainly change the way you look at pictures." By now he has.
作者简介
John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he lives in a small village in the French Alps.
目录信息
读后感
本来就写在短评里，结果发现好像豆瓣图书的短评无法像电影短评那样直接浏览，所以转在这里再发一下。 原书5星，译本至多3星。这不仅因为原书行文的简洁有力没有在译作中体现出来，更重要的是原书所构建的新的看待艺术的眼光译本没有能清楚明白的传递出来，也就是说这本书最重...
评分这本约翰·伯格（John Berger）的《观看之道》字数不多，区区的一百七十多页，却夹杂着大量用以解释说明的图片。可想而知，既然讲述的是欣赏艺术之道，旁边如果不附以范图作为参考与佐证，也说不过去。这本书我是与《抵抗的群体》差不多同步看完的。后者更主要从艺术家背景...
评分第一部分 伯格主要探讨的是艺术与政治，并且在书的一开始就以超现实主义画家马格利特的画为例，说明言语和观看之间所构成的鸿沟。马格利特（Rene Magritte）认为作画不过是一种“思考”的艺术。在《马格利特.图像的哲学》一书中，刘云卿在文章的一开始便引用了路德维希.维特根...
评分第一部分 伯格主要探讨的是艺术与政治，并且在书的一开始就以超现实主义画家马格利特的画为例，说明言语和观看之间所构成的鸿沟。马格利特（Rene Magritte）认为作画不过是一种“思考”的艺术。在《马格利特.图像的哲学》一书中，刘云卿在文章的一开始便引用了路德维希.维特根...
用户评价
看什么、看成什么、在哪里看、怎么看，伯格企图揭示观看背后的社会关系、特别是权力关系。1.复制品对原作在观看方式上的颠覆，2.女性（身体）的surveyor和surveyed，nakedness和nude之间的差别，被绘画/审视客体化的女性，女性始终以暗含的男性目光审视自己，甚至无意识地取悦男性（想想正义联盟中神奇女侠的超短裙）。3.西方文明的油画传统，从物到风景都成为财产、占有权的宣示，即便对自然的沉醉或者神话题材也是装饰性的，substantiality and emptiness，4.广告transform our lives by buying something more，envy诱导的快乐形成了glamour，对未来的白日梦式的允诺，补偿了现代社会中人对自己无能与渴望能之间的鸿沟。
评分值得一读 摘文 "Glamour cannot exist without personal social envy being a common and widespread emotion."
评分爱死老头子了。很有启发性的小书，而且一点也不装腔作势。
评分to look, looking, to see, seeing四者之间的区别，视觉传播的开山作。（好颓废，20天就看了一本书）
评分It changed the way people think about painting and art criticism, I love the chapter of Publicity and Capitalism. Thanks for recommending by @61010749
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