具体描述
How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
"Seeing comes before words. The child looks and recognizes before it can speak."
"But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."
John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings... he will almost certainly change the way you look at pictures." By now he has.
作者简介
John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he lives in a small village in the French Alps.
目录信息
读后感
此书购于数年前。反复阅读。受益匪浅。书中内容围绕着一个焦点image。它不是我们原始肉眼所见的影像，而是人为的创作摹拟。观看先于语言。看把物和人拉入共谋的关系，所有的image反映的都是一个主题：人是怎么在看。在看的过程中。不可避免的过滤掉了一些东西。最后呈现在我们...
评分三周以前，去人艺看话剧。演出结束后，到大厅旁边的戏剧书店闲逛，无意中发现了这本小册子一样的书，翻了几页，就被深深吸引住了。 这本书英文名称为《Ways of Seeing》，作者John Berger是英国的艺术史家、小说家和画家。书的封底这样介绍：“这本谈论艺术与社会关系的小册子...
评分这本《观看之道》是一本薄薄的小书，只有一百七十来页，里面又插入大量的图片，所以文字并不多，但是这本书看后却让我很有回味，很受启发，或许，这就是对“精辟”二字的最精辟例证，就如我在读这本书的过程中心中经常跳出的两个字――“精辟”。 本书的作者约翰．伯格...
评分第一部分 伯格主要探讨的是艺术与政治，并且在书的一开始就以超现实主义画家马格利特的画为例，说明言语和观看之间所构成的鸿沟。马格利特（Rene Magritte）认为作画不过是一种“思考”的艺术。在《马格利特.图像的哲学》一书中，刘云卿在文章的一开始便引用了路德维希.维特根...
评分第一部分 伯格主要探讨的是艺术与政治，并且在书的一开始就以超现实主义画家马格利特的画为例，说明言语和观看之间所构成的鸿沟。马格利特（Rene Magritte）认为作画不过是一种“思考”的艺术。在《马格利特.图像的哲学》一书中，刘云卿在文章的一开始便引用了路德维希.维特根...
用户评价
看什么、看成什么、在哪里看、怎么看，伯格企图揭示观看背后的社会关系、特别是权力关系。1.复制品对原作在观看方式上的颠覆，2.女性（身体）的surveyor和surveyed，nakedness和nude之间的差别，被绘画/审视客体化的女性，女性始终以暗含的男性目光审视自己，甚至无意识地取悦男性（想想正义联盟中神奇女侠的超短裙）。3.西方文明的油画传统，从物到风景都成为财产、占有权的宣示，即便对自然的沉醉或者神话题材也是装饰性的，substantiality and emptiness，4.广告transform our lives by buying something more，envy诱导的快乐形成了glamour，对未来的白日梦式的允诺，补偿了现代社会中人对自己无能与渴望能之间的鸿沟。
评分美学课初遇，再是艺术史，再是实验电影，三度重温经典小册子，我也终于彻头彻尾成了左棍。（马克思主义乖巧比心~）
评分爱死老头子了。很有启发性的小书，而且一点也不装腔作势。
评分作者相当愤青，可以改名为《邪恶的国家机器、父权社会和资本主义与艺术不得不说的故事》。和杰克·凯鲁亚克一起看，相当和谐。
评分我觉得这本书的BBC纪录片更好看°°
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