具体描述
How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
"Seeing comes before words. The child looks and recognizes before it can speak."
"But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."
John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings... he will almost certainly change the way you look at pictures." By now he has.
作者简介
John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he lives in a small village in the French Alps.
目录信息
读后感
最近重看了约翰·伯格的《观看之道》。这是一本关于影像与文化的书，书不厚，却能让你颠覆三观。 约翰·伯格1926年生于伦敦，是艺术批评家，同时也是画家和小说家，上世纪50年代曾经举办过个人画展，小说《G》还获得过英国布克奖。自1952年尾伦敦的左派杂志《New Statesman》...
评分很多观点在读书的时候已经通过各种讲座和文章看得到过，这次算是自己完整的看了整本书，希望能够阅读到英文版的。
评分观看为何？ 对于进入机械复制时代之后的人类，这成为一个难以直面的问题。 工业革命带来的摄影技术进步，使得旧时代影像的绝对性与唯一性被彻底颠覆，艺术作品亦远离贵族垄断，走下神坛，逐渐被普罗大众频繁地通俗使用。早在19世纪，被称为“欧洲最后一位知识分子”...
评分三周以前，去人艺看话剧。演出结束后，到大厅旁边的戏剧书店闲逛，无意中发现了这本小册子一样的书，翻了几页，就被深深吸引住了。 这本书英文名称为《Ways of Seeing》，作者John Berger是英国的艺术史家、小说家和画家。书的封底这样介绍：“这本谈论艺术与社会关系的小册子...
评分第一部分 伯格主要探讨的是艺术与政治，并且在书的一开始就以超现实主义画家马格利特的画为例，说明言语和观看之间所构成的鸿沟。马格利特（Rene Magritte）认为作画不过是一种“思考”的艺术。在《马格利特.图像的哲学》一书中，刘云卿在文章的一开始便引用了路德维希.维特根...
用户评价
看什么、看成什么、在哪里看、怎么看，伯格企图揭示观看背后的社会关系、特别是权力关系。1.复制品对原作在观看方式上的颠覆，2.女性（身体）的surveyor和surveyed，nakedness和nude之间的差别，被绘画/审视客体化的女性，女性始终以暗含的男性目光审视自己，甚至无意识地取悦男性（想想正义联盟中神奇女侠的超短裙）。3.西方文明的油画传统，从物到风景都成为财产、占有权的宣示，即便对自然的沉醉或者神话题材也是装饰性的，substantiality and emptiness，4.广告transform our lives by buying something more，envy诱导的快乐形成了glamour，对未来的白日梦式的允诺，补偿了现代社会中人对自己无能与渴望能之间的鸿沟。
评分4.5
评分美学课初遇，再是艺术史，再是实验电影，三度重温经典小册子，我也终于彻头彻尾成了左棍。（马克思主义乖巧比心~）
评分看什么、看成什么、在哪里看、怎么看，伯格企图揭示观看背后的社会关系、特别是权力关系。1.复制品对原作在观看方式上的颠覆，2.女性（身体）的surveyor和surveyed，nakedness和nude之间的差别，被绘画/审视客体化的女性，女性始终以暗含的男性目光审视自己，甚至无意识地取悦男性（想想正义联盟中神奇女侠的超短裙）。3.西方文明的油画传统，从物到风景都成为财产、占有权的宣示，即便对自然的沉醉或者神话题材也是装饰性的，substantiality and emptiness，4.广告transform our lives by buying something more，envy诱导的快乐形成了glamour，对未来的白日梦式的允诺，补偿了现代社会中人对自己无能与渴望能之间的鸿沟。
评分我觉得这本书的BBC纪录片更好看°°
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