James Shapiro is currently the Larry Miller Professor of English and Comparative Literature at Columbia University, where he has taught since 1985. In 2011, he was inducted into the American Academy of Arts and Sciences. He has written several award-winning books on Shakespeare, and his most recent book, The Year of Lear: Shakespeare in 1606, was awarded the James Tait Black Prize as well as the Sheridan Morley Prize. His essays and reviews have appeared in the New York Times, the Guardian, and the London Review of Books, among other places. He has been awarded fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, and The New York Public Library's Dorothy and Lewis B. Cullman Center for Scholars and Writers. He serves on the board of directors of the Royal Shakespeare Company, and he is currently the Shakespeare Scholar in Residence at the Public Theater in New York City.

From leading scholar James Shapiro, a timely exploration of what Shakespeare’s plays reveal about our divided land, from Revolutionary times to the present day

Read at school by almost every student, staged in theaters across the land, and long highly valued by both conservatives and liberals alike, Shakespeare’s plays are rare common ground in the United States. For well over two centuries now, Americans of all stripes—presidents and activists, writers and soldiers—have turned to Shakespeare’s works to address the nation’s political fault lines, such as manifest destiny, race, gender, immigration, and free speech. In a narrative arching across the centuries, James Shapiro traces the unparalleled role of Shakespeare’s 400-year-old tragedies and comedies in making sense of so many of these issues on which American identity has turned. Reflecting on how Shakespeare has been invoked—and at times weaponized—at pivotal moments in our past, Shapiro takes us from President John Quincy Adams’s disgust with Desdemona’s interracial marriage to Othello, to Abraham Lincoln’s and his assassin John Wilkes Booth’s competing obsessions with the plays, up through the fraught debates over marriage and same-sex love at the heart of the celebrated adaptations Kiss Me Kate and Shakespeare in Love. His narrative culminates in the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated.

Extraordinarily researched, Shakespeare in a Divided America shows that no writer has been more closely embraced by Americans, or has shed more light on the hot-button issues in our history. Indeed, it is by better understanding Shakespeare’s role in American life, Shapiro argues, that we might begin to mend our bitterly divided land.