Postmodernist Fiction

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出版者:Routledge
作者:Brian McHale
出品人:
页数:288
译者:
出版时间:1987-08-10
价格:USD 39.95
装帧:Paperback
isbn号码:9780415045131
丛书系列:
图书标签:
  • 后现代 
  • 虚构 
  • BrianMcHale 
  • 理论 
  • 文艺理论 
  • 文学 
  • 叙事 
  • Postmodernism 
  •  
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Like it or not, the term postmodernism' seems to have lodged itself in our critical and theoretical discourses. We have a postmodern architecture, a postmodern dance, perhaps even a postmodern philosophy and a postmodern condition. But do we have a postmodernist fiction? In this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Dolezel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fiction's ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Far from being, as unsympathetic critics have sometimes complained, about nothing but itself -- or even about nothing at all -- postmodernist fiction in McHale's construction of it proves to be about (among other things) those hardy literary perennials, Love and Death. itself in our critical and theoretical discourses. We have a, --- postmodern architecture, a postmodern dance, perhaps even a postmodern philosophy and a postmodern condition. But do we have a postmodernist fiction? Brian McHale undertakes to construct a version capacious enough to include North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction, to name but a few of its forms. The common denominator is postmodernist fiction's ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Exploiting various theoretical approaches to literary ontology - those of Ingarden, Eco, Dolezel, Pavel, Hrushovski and others - and ranging widely over contemporary world literature, McHale assembles a comprehensive repertoire of postmodernist fiction's strategies of world-making and -unmaking. Far from being, as unsympathetic critics have sometimes complained, about nothing but itself or even about nothing at all, postmodernist fiction in McHale's construction of it proves to be about (among other things) those hardy literary perennials, Love and Death. "This is one of the most lively and lucid studies of contemporary fiction around. Whether or not you agree with his provocative definition of the postmodern, McHale's argument is always engaging, bold, and forceful." _ Linda Hutcheon

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开头写得很有趣,但后来也挺学术写作的。全篇的重点就在于说明非后现代主义都侧重认识论,而后现代主义写作则偏本体论。嗯==就按这个论点,死死地进行了一次结构/形式主义的论证。启发还是挺大的,虽然最后得出的结论差强人意==毕竟是八十年代出版的书,已经很不错了!

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这本关注后现代小说的书默认了一个从现代主义认识论到后现代主义本体论转向的前提,然后考察了很多关于“越界叙述”“可能的世界”“实在和相对主义”等等概念。但我觉得,由于作者见识太广又乐于综述,这是我读过最 jargon-ridden 的书之一了。

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毕论。

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泛泛而谈,不过够全面。“In the Zone”那一章于我比较受用。

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比较少见的读起来趣味横生的文学理论书。研究后现代小说的必读书。 一个鲜明而同一的观点:后现代小说讨论ontological problem,现代主义小说讨论epistemological problem

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