Introduction
Postwar Film Theories: Three Paradigms, Three Generations
Cinema and Reality
Cinema and the Imaginary
Cinema and Language
An Interlude: The Feeling of the New
Methodological Theories
Psychology of Cinema
Sociology of Cinema
Semiotics of Cinema
Psychoanalysis of Cinema
Field Theories
Politics, Ideology, and Alternatives
Representation, Unrepresented, Unrepresentable
Image, Gender, Difference
Text, Mind, Society
Culture, Art, Thought
History, Histories, Historiography
Cinema and Theory: By Way of a Conclusion
Notes
Bibliography
Index of Names
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