In Japanese culture, emptiness and simplicity have long been the central principles of design, and are allied closely to Zen Buddhism, which places an emphasis on spirituality. This fascinating book explores Western Minimalism and the concept of meaningful emptiness in Zen art, examining their differences and similarities. Examples of traditional Japanese craftsmanship are juxtaposed with works of Western art: Barnett Newmans Gate from the 1950s is contrasted with an eighteenth-century scroll painting, and Alberto Giacomettis sculptures with a statue of the Buddha from the seventeenth century. Japan and the West poses fundamental questions about artistic production and the reception of twentieth-century art, and highlights significant influences on art forms throughout the ages.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
終於找到喜歡的美學的理論依據瞭！原是日本的空禪和歐洲的極簡抽象的結閤，從器物到建築。
评分終於找到喜歡的美學的理論依據瞭！原是日本的空禪和歐洲的極簡抽象的結閤，從器物到建築。
评分終於找到喜歡的美學的理論依據瞭！原是日本的空禪和歐洲的極簡抽象的結閤，從器物到建築。
评分終於找到喜歡的美學的理論依據瞭！原是日本的空禪和歐洲的極簡抽象的結閤，從器物到建築。
评分終於找到喜歡的美學的理論依據瞭！原是日本的空禪和歐洲的極簡抽象的結閤，從器物到建築。
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