Gaston Louis Alfred Leroux (6 May 1868, Paris, France – 15 April 1927) was a French journalist and author of detective fiction.
In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney; and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay.
Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He inherited millions of francs and lived wildly until he nearly reached bankruptcy. Then in 1890, he began working as a court reporter and theater critic for L'Écho de Paris. His most important journalism came when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an opera house in Paris, later to become a ballet house. The basement consisted of a cell that held prisoners in the Paris Commune, which were the rulers of Paris through much of the Franco-Prussian war.
He suddenly left journalism in 1907, and began writing fiction. In 1909, he and Arthur Bernède formed their own film company, Société des Cinéromans to simultaneously publish novels and turn them into films. He first wrote a mystery novel entitled Le mystère de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. Leroux's contribution to French detective fiction is considered a parallel to Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in America. Leroux died in Nice on April 15, 1927, of a urinary tract infection.
When the new managers of the Paris Opera House ignore their predecessors warnings about the hideous Opera ghost stalking the theatre, it is a fatal mistake. Tortured by unrequited love for the beautiful young singer Christine Daae, the mysterious figure living in the depths beneath them has been awaiting his chance to strike. And when Christine suddenly disappears after a triumphant singing performance, it becomes clear that the phantom s time has come. Filled with colour and theatrical spectacle, this thrilling gothic tale has enthralled readers with its mystery, eerie suspense and tragic story of love turned into deadly obsession.
关于剧院建筑构造的一切真假难辨,只想亲自去巴黎剧院一探究竟。8年前开始迷上音乐剧《歌剧魅影》,直到现在才读了原著,读的过程中会自然想象音乐剧的情景。当然,也有很多东西是音乐剧布景无法展现的,很多憎恶、恐惧感和悬念也是音乐剧不曾着重渲染的。音乐剧的魅力...
评分从昨晚看书到今天,终于把歌幽的故事看完。被“可怜的不幸的埃里克”感动数次。白天里细听poto的第二片,被MC演绎的埃里克继续感动着。特别是和克里斯汀一起唱的《罗密欧与朱丽叶》里的那一句,真正是天使的声音啊!于是忍不住要想,如果真的有这样的一个人,一个不折不扣的天...
评分魅影埃利克[我更想叫他"音乐天使"]是一个从小就因为外貌而被人们取笑的孩子,虽然被洁莉夫人救了出来,但是还是对人们有着深深的仇恨。这点跟由于生活穷困潦倒而被人们无比鄙视的“画家”希特勒有几分相似之处。 同样是因为受人们鄙视而对世人的仇恨,但不同的是魅...
评分法国作家加斯东•勒鲁的小说《歌剧魅影》,其实原本要说的是一个下水道怪物的故事。 时值1870年,住在巴黎歌剧院地下迷宫的丑陋“幽灵”艾瑞克,有一张奇形怪状、惨白而丑陋的面孔。他从小就被嫌恶抛弃,跟随马戏团游历过欧洲,后穿越亚洲,在波斯王宫任职,从小亚细亚到达...
评分大学时候和室友一起看了电影,当时感觉电影非常具有戏剧性,没想到多年以后竟然读了原版小说,感觉比电影要差一些,主要是其中部分情节太离奇,有点超越理解范围
评分经典爱情故事,经典恐怖爱情故事
评分大学时候和室友一起看了电影,当时感觉电影非常具有戏剧性,没想到多年以后竟然读了原版小说,感觉比电影要差一些,主要是其中部分情节太离奇,有点超越理解范围
评分大学时候和室友一起看了电影,当时感觉电影非常具有戏剧性,没想到多年以后竟然读了原版小说,感觉比电影要差一些,主要是其中部分情节太离奇,有点超越理解范围
评分经典爱情故事,经典恐怖爱情故事
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