Grounded in the fields of Ethnomusicology, Anthropology, Popular Music Studies, and Japanese Studies, this book explores the underground Tokyo hardcore scene, ultimately asking what play as resistance through performance of the scene tells us about Japanese society in general. Matsue highlights the complicated positioning of young adult Japanese in contemporary Japan as they negotiate both increasing social demands and increasing problems in society at large. Further drawing on theories of play, identity building, and the construction of gender, all informed by the increasingly influential field of Performance Studies, the book offers a highly interdisciplinary look at the importance of musical scenes for expressing resistance at the turn of the 21st century. Within the underground Tokyo hardcore scene this resistance is expressed through play with individual and collective identity, in intimate and potentially illicit spaces, with an arguably challenging sound and performance style.
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关键盯着underground去的~结果主要谈中国了没顾着提及霓虹啊~最不熟的也就霓虹的地下音乐了~扫描的英文都要盯傻了~结果后面却不可看了~滚~
评分对日本地下硬核音乐场景的音乐人类学研究。
评分对日本地下硬核音乐场景的音乐人类学研究。
评分对日本地下硬核音乐场景的音乐人类学研究。
评分关键盯着underground去的~结果主要谈中国了没顾着提及霓虹啊~最不熟的也就霓虹的地下音乐了~扫描的英文都要盯傻了~结果后面却不可看了~滚~
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