Valley of the Dolls was sexy, shocking, and unrelenting in its revelations of the dangers facing women who dare to chase their most glamorous dreams. It shot to the top of the bestseller lists in 1966 and made Jacqueline Susann a superstar. It remains the quintessential big, blockbuster, must-read, can t-put-down bestseller.Before her death in 1974, Susann spent many months working on a draft for a sequel that continued the stories of Anne Welles, Neely O Hara, and Lyon Burke. Now, after nearly thirty years, the perfect writer has been found to turn Susann s deliciously ambitious ideas into a novel that matches the original shock for shock and thrill for thrill.In Jacqueline Susann s Shadow of the Dolls, Rae Lawrence — herself a bestselling author — picks up the story in the late 80s and brings it right into the new century. Long a devoted “Valley” girl herself, Rae has re-imagined the original characters in a contemporary reality (and adjusted their ages just a bit), exactly as Jackie would have wanted her to. And if you ve never read Valley of the Dolls, no matter. Sometimes the present is even more surprising and fun when you don t remember the past.And what a story! Neely s golden voice has brought her fame and success, but now she craves acceptance in social circles where her kind of celebrity means nothing at all. Anne, born and bred in those very circles, must choose between returning home or pursuing a fabulous television career — and the kind of passion she once knew with Lyon. And Lyon, who loses everything including Anne, looks for happiness in the most unexpected of places.Taking us behind the closed doors of New York, East Hampton, and Los Angeles, whetting our appetites for more with a new generation of young women and men who grow up far too fast, and spicing the whole story with a generous sprinkling of sex, drugs, and cosmetic surgery, Jacqueline Susann s Shadow of the Dolls is the ultimate beach read for our time. But feel free to devour it any time of the year, wherever you are.It s been a long time since readers had this much fun between the covers. It s time to jump back in.Anne Welles . . . She finds the courage to leave the only man who ever made her feel like a woman . . . She fights her way to the top of a television career that is even more cutthroat than she s been warned . . . She finds security and contentment with the kind of man she was destined to marry . . . Now she must choose between destiny and her dreams.Neely O Hara . . . Her talents take her to the top, while her troubles drag her through rehab after rehab . . . She grasps at the things Anne has turned her back on (her class, her man) . . . She always knows exactly what she wants, and will do whatever it takes to make her dreams come true.Lyon Burke . . . He takes lovers over love . . . He hustles other people s talent while neglecting his own . . . He always knows how to look, which restaurants offer the perfect drink and the most cachet, who to pursue, and where to find the best percentage . . . He waits so long to realize his dreams that in the end it may be too late.Jacqueline Susann s Valley of the Dolls was one of the sexiest, most shocking, and most sensational novels ever to fly off the shelves. Now, thanks to bestselling novelist Rae Lawrence — working from Susann s own draft for a sequel — the fun has just begun.
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看完这本书,我产生了一种奇怪的、混合着被背叛与被启迪的复杂情绪。叙事上的不确定性被推向了极致,你手中的“事实”如同被沙子做的房子,随时可能在一阵风中坍塌。作者的高明之处在于,他让你相信了你所看到的一切,让你对某个角色深信不疑,让你在最关键的时刻才发现,你所依赖的那个“指南针”其实指向的是虚无。这种对读者信任的反复利用和瓦解,在当代小说中是相当罕见的。我特别欣赏它在处理“记忆”这一主题时所采用的手法,记忆在这里不是一个静态的档案库,而是一个不断被重写、被污染的战场。书中充斥着大量的闪回和未经验证的独白,你必须学会在真假难辨的河流中游泳。坦率地说,这种阅读体验让人精疲力尽,因为它要求你不断地进行自我修正和立场转换,你甚至不能相信自己的阅读感知。但正是这种折磨,带来了最终的顿悟——也许存在的本质就是一种不断被建构和解构的叙事。这本书的后劲非常大,它不是那种读完就扔的书,它会像一个幽灵一样,在你处理日常事务时突然跳出来,让你重新审视你对过去事件的认知。
评分这部作品的声场设计简直是大师级的。我很少在一本书中感受到如此清晰的“听觉”维度。作者似乎非常擅长运用文字来模拟那些微小、令人不安的声音:腐烂木材发出的吱呀声、遥远钟楼传来的沉闷回响、以及那种仿佛在耳膜内侧持续不断的、低频的嗡鸣。这不仅仅是环境烘托,这些声音本身就是叙事的一部分,它们是角色心理状态的外化,是潜意识的入侵。例如,书中某个特定场景中对“水滴声”的重复描写,从最初的令人放松,逐渐演变成一种无法逃脱的审判般的节奏,这种细微的声学变化被捕捉得入木三分。你几乎不需要想象,声音就会自己钻进你的脑子里。这使得阅读过程变得非常私人化和沉浸式,仿佛你就是那个被困在密闭空间里,对外界刺激过度敏感的主角。这种专注于听觉的描写,成功地避开了许多同类作品中常见的那种视觉主导的平庸,提供了一种更加原始和本能的恐怖体验。如果这部作品能被改编,我相信它的音效设计将是其最大的卖点之一,因为它已经将声音的潜力在文字层面发挥到了极致。
评分从文学流派的角度来看,这本书似乎拒绝被简单归类,它像一个收容了各种文学“病原体”的巨大容器。你可以在其中瞥见哥特式小说的阴影,感受到现代主义对时间流逝的焦虑,甚至能捕捉到一些后现代主义对意义本身的嘲弄。这种融合并非生硬的拼贴,而是一种有机体的生长,各种元素相互渗透,形成了一种独特的、难以定义的“气质”。特别是作者对“时间”的非线性处理,它不是简单的倒叙或插叙,而是多重时间层级的叠加,过去、现在和潜在的未来在同一句话中并存、甚至相互矛盾。我必须承认,在阅读中期我曾感到迷失,因为我试图用单一的逻辑框架去套牢它,但最终我领悟到,这部作品的“意义”就在于它的多义性。它不是要给你一个答案,而是要你适应没有终极答案的状态。它更像是一面棱镜,将我们习以为常的现实世界折射出无数细碎、不和谐却又异常真实的光谱。这是一部需要读者放下既有阅读期待,以一种近乎开放的心态去拥抱其混乱与深邃的杰作。
评分我必须承认,这本书在结构上的野心令人敬畏,但同时也带来了一种近乎傲慢的疏离感。它更像是一个精密的钟表机械,每一个齿轮——无论是时间线的跳跃,还是不同叙事视角的切换——都被安排得天衣无缝,但这种完美却少了一种人性的温度。如果你期待的是那种能让你热泪盈眶或者拍案叫绝的直接情感冲击,那你可能会感到挫败。作者似乎更热衷于构建一个宏大的、冷峻的逻辑迷宫,引导读者去解构其内部的权力结构和隐藏的符号系统。阅读过程更像是一场智力上的攀登,需要大量的背景知识和对文学典故的熟悉度才能真正领略其深层意涵。我花了大量的篇幅去查阅那些晦涩的哲学引用和历史背景,而一旦你将这些碎片拼凑起来,作品的整体图景便会展现出一种冰冷的、近乎数学般的美感。但这种美感是需要读者付出巨大努力才能获取的,它不会主动迎合你。对于那些追求轻松阅读体验的读者来说,这可能是一次艰难的远征;但对于那些热衷于深度文本分析和解构主义阅读的“硬核”读者来说,这无疑是一座值得长期探索的宝库。它挑战的不是你的恐惧,而是你的智识耐受度。
评分这本书简直是文字的饕餮盛宴,每一页都散发着一种近乎腐朽的华丽感。作者对于环境细节的描摹达到了令人发指的地步,那种阴郁、潮湿的氛围仿佛能渗透到读者的皮肤里。我不是在“阅读”故事,我更像是被吸入了一个由铅灰色天空和永不熄灭的煤气灯构成的迷宫。叙事节奏的处理非常高明,它不是那种一马平川的线性推进,而是像一条潜伏在泥沼中的蛇,时而缓慢地蠕动,积蓄着令人窒息的张力,时而又猛地窜出,用一个突如其来的转折将你抛向深渊。人物的内心挣扎被剖析得淋漓尽致,他们的动机复杂得像一团打满了死结的麻绳,你永远无法完全确定谁是受害者,谁又是隐藏在最深处的操纵者。这种模糊性带来的阅读体验是极其刺激的,它迫使你不断地质疑你所看到的一切。更令人称道的是,作者对语言的掌控力,那些词汇的选择,仿佛是从一个陈旧的、落满灰尘的维多利亚式图书馆里精心挑选出来的古董,每一个词都有其沉重的历史感和独特的纹理。读完之后,我感觉自己像是刚从一场漫长而诡谲的梦境中醒来,那种宿醉般的恍惚感和对现实世界清晰度的怀疑,久久不能散去。这是一部需要慢品、需要反复咀嚼的作品,任何急躁的翻阅都会错过它隐藏在字里行间的那些精妙的、令人不寒而栗的低语。
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