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Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History)
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Andrew T. Ladis 作者
The University of North Carolina Press
譯者
2008-03-10 出版日期
192 頁數
USD 35.00 價格
Hardcover
叢書系列
9780807831328 圖書編碼

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Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History) 在線電子書 用戶評價

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Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History) 在線電子書 著者簡介

Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History) 在線電子書 著者簡介

Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History) 在線電子書 圖書描述

Giorgio Vasari's "The Lives of the Artists" (1550, 1568) has been a key subject of study for students of the Italian Renaissance over the hundreds of years since its publication. It has maintained a powerful grip on the historical imagination and continues to influence the way scholars treat the Renaissance, its artists, and the entire intellectual enterprise of Western art. Focusing on Vasari's literary and narrative achievements, Andrew Ladis turns to Vasari's villains, rather than his heroes, to demonstrate the biographer's foremost interest in glorifying Michelangelo.Approaching "Lives" on Vasari's terms--as the grand story of the rebirth and triumph of art in Italy--Ladis argues that Vasari was not a mere compiler of facts, but a shrewd, self-confident author aware of the power of metaphor. With a literary reading of the text, Ladis analyzes Vasari's motives and methods as an attempt to portray the great Michelangelo as a Christlike exemplum of ultimate light and goodness. Through biographic details both real and invented, Vasari presents all other artists as various players with varying degrees of heroic and villainous value. Antiheroic characters such as Buffalmacco, Lippi, and Castagno, Ladis argues, serve to accentuate the contrasting greatness of Michelangelo.

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