Composing for the Films (Continuum Impacts) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Composing for the Films (Continuum Impacts)

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Theodor W. Adorno 作者
Continuum
译者
2007-11-15 出版日期
133页 页数
USD 24.95 价格
Paperback
丛书系列
9780826499028 图书编码

Composing for the Films (Continuum Impacts) 在线电子书 图书标签: 音乐  理论  Adorno  电影  电影配乐  电影理论  film   


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发表于2024-11-15


Composing for the Films (Continuum Impacts) 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Composing for the Films (Continuum Impacts) 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Composing for the Films (Continuum Impacts) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Composing for the Films (Continuum Impacts) 在线电子书 用户评价

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我喜欢听电影配乐,但是往nature那边走就有点太深了。

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我喜欢听电影配乐,但是往nature那边走就有点太深了。

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我喜欢听电影配乐,但是往nature那边走就有点太深了。

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我喜欢听电影配乐,但是往nature那边走就有点太深了。

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我喜欢听电影配乐,但是往nature那边走就有点太深了。

Composing for the Films (Continuum Impacts) 在线电子书 著者简介

About the Author

Theodor W. Adorno (1903-69) was a founder and arguably the foremost thinker of the Frankfurt School. He worked with Max Horkheimer at the New York Institute for Social Research and later taught at the University of Frankfurt until his death in 1969. His work has proved enormously influential in sociology, philosophy and cultural theory. Hanns Eisler (1898-1962) began composing for films in the late 1920s. He emigrated to the US in the 1930s where he write a number of scores for Hollywood productions, including None But The Lonely Heart and Renoir's The Woman on the Beach.


Composing for the Films (Continuum Impacts) 在线电子书 图书目录


Composing for the Films (Continuum Impacts) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Composing for the Films (Continuum Impacts) 在线电子书 图书描述

This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of cultural studies.

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