Composing for the Films (Continuum Impacts) 在线电子书 图书标签: 音乐 理论 Adorno 电影 电影配乐 电影理论 film
发表于2024-12-24
Composing for the Films (Continuum Impacts) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
我喜欢听电影配乐,但是往nature那边走就有点太深了。
评分我喜欢听电影配乐,但是往nature那边走就有点太深了。
评分我喜欢听电影配乐,但是往nature那边走就有点太深了。
评分我喜欢听电影配乐,但是往nature那边走就有点太深了。
评分我喜欢听电影配乐,但是往nature那边走就有点太深了。
About the Author
Theodor W. Adorno (1903-69) was a founder and arguably the foremost thinker of the Frankfurt School. He worked with Max Horkheimer at the New York Institute for Social Research and later taught at the University of Frankfurt until his death in 1969. His work has proved enormously influential in sociology, philosophy and cultural theory. Hanns Eisler (1898-1962) began composing for films in the late 1920s. He emigrated to the US in the 1930s where he write a number of scores for Hollywood productions, including None But The Lonely Heart and Renoir's The Woman on the Beach.
This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of cultural studies.
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Composing for the Films (Continuum Impacts) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024