Genius of the large-format camera, the long exposure and the silverprint, New York-based photographer Hiroshi Sugimoto has made pictures that seem to contain whole aeons of time within themselves, and suggest an infinite palette of tonal wealth in blacks, grays and whites. Many of these images have now become a part of art culture's popular image bank (as U2's use of Sugimoto's "Boden Sea" for the cover of their 2009 album, No Line on the Horizon , demonstrated), while simultaneously evoking photography's earliest days: "I probably call myself a postmodern-experienced pre-postmodern modernist," he once joked to an interviewer. This absolutely exquisite retrospective is an expanded edition of Hatje Cantz's 2005 volume. It is the first to feature works from all of Sugimoto's series to date: his celebrated portraits of wax figures, his incredible seascapes that seem to suggest a person's first conscious view of the ocean, the extremely long exposures of theaters which elevate the white, luminescent cinema screen and transform it into a magical image of an altar and the fascinating dioramas of scientific display cases, which invite us to travel far into the past. Additions to the original edition are two new groups of works, "Lightning Fields" (2006) and "Photogenic Drawings" (2007).
Hiroshi Sugimoto was born and raised in Tokyo, Japan, where he studied politics and sociology at St. Paul's University, later retraining as an artist at the Art Center College of Art and Design in Los Angeles, CA. He currently lives in New York City.
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照片是不錯,開本太小瞭不夠看。
评分日本的現代性始終有傳統神道教那種模糊的美其名曰含蓄的所謂東方神秘性,這種東西對西方人有效,對中國卻無益。中國太過於廣博也太過於豐富,不會駐足不分天地含混而一的美學。中國文化是萬類不同而獨立相依生長以構成天地,但日本現代性的含混卻很容易吸引涉世不深的中國人。
评分趨之若鶩
评分趨之若鶩
评分集大成的畫冊,HS的作品總是帶有對時間的哲思,通過圖像來傳遞一些哲學思考。從“劇院”係列的一部電影的曝光時長,到“海景”係列試圖抓住亙古不變的無限時間的念頭。書中訪談的這句話可以作為注腳:One difference between the camera and the human eye is that human eye has no shutter.So it is like a time exposure——it is continuous.When you're born,the exposure opens.And when you die it closes.That's the one exposure.Life is one long exposure.
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