Truly a "Dracula" for both art and book lovers, this new edition of the most famous of vampire tales completely overhauls the notion of how a literary classic might be creatively revisited. James Pyman is already famed for his eerily exacting and hallucinatory draftsmanship, as well as for his relish for the exploration of book formats such as cartoon or children's books, and is therefore ideally suited to the illustration of this volume. Herein, Pyman returns to the original text, illustrating a line or phrase from each of the novel's 27 chapters in a series of wonderfully sinister and weirdly clinical pencil drawings. The book, which Bram Stoker composed as a series of diaries, letters and newspaper cuttings, has been typeset by designer John Morgan with a different typeface allocated to each character--each font being based on those in use at the time of the book's original publication. As a final flourish, the striking bright yellow clothbound cover, with its vivid red lettering, is based on that of the first UK edition.
记得第一次看此书时,真是有够恐怖的,我一般不太喜欢看恐怖的作品。不过此书委实太有“名”了,是久经流行的吸血鬼作品的祖师,所以也就硬着头皮看下去了。前半部份很惊悚,后半部就没什么了。而此次阅读连恐怖感都没什么了。这与推理作品类似,在知道结局后再阅读之下吸引力...
评分 评分那个年代还是很单纯的:吸血鬼仍然是邪恶的象征;他们和人类还是敌对关系;他们还惧怕十字架、大蒜和阳光;他们仍然数量稀少。后来,为了提升人们的感官刺激,并突破一直以来人类对于吸血鬼的认识,越来越多的编辑就开始不走寻常路了:吸血鬼可以在阳光下自由来去了;他们必定...
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