Truly a "Dracula" for both art and book lovers, this new edition of the most famous of vampire tales completely overhauls the notion of how a literary classic might be creatively revisited. James Pyman is already famed for his eerily exacting and hallucinatory draftsmanship, as well as for his relish for the exploration of book formats such as cartoon or children's books, and is therefore ideally suited to the illustration of this volume. Herein, Pyman returns to the original text, illustrating a line or phrase from each of the novel's 27 chapters in a series of wonderfully sinister and weirdly clinical pencil drawings. The book, which Bram Stoker composed as a series of diaries, letters and newspaper cuttings, has been typeset by designer John Morgan with a different typeface allocated to each character--each font being based on those in use at the time of the book's original publication. As a final flourish, the striking bright yellow clothbound cover, with its vivid red lettering, is based on that of the first UK edition.
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讀後感
相信很多人同我一样，第一次接触到吸血鬼方面的文艺作品是大导演科波拉的《吸血惊情四百年》（英文原名就是，《Dracula》）。因为电影本身已经足够赏心悦目，所以很长时间都没有动过看原著的念头。留在心里的印象就是，《Dracula》应该是一部歌特风格的小说。 其实有...
評分 評分 評分电视台重播琼瑶旧作《烟雨濛濛》，刘雪华和秦汉的两个主角聊天谈到小说家，秦汉的角色发现刘雪华选的小说家都是遥远的时间成品，刘雪华的台词说：近现代的小说她看不懂，不愿意看。 自从解构主义和后现代之类的词汇流行以后，小说就不只是单纯的故事存在，它们的身价从...
評分电视台重播琼瑶旧作《烟雨濛濛》，刘雪华和秦汉的两个主角聊天谈到小说家，秦汉的角色发现刘雪华选的小说家都是遥远的时间成品，刘雪华的台词说：近现代的小说她看不懂，不愿意看。 自从解构主义和后现代之类的词汇流行以后，小说就不只是单纯的故事存在，它们的身价从...
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