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Translation theory can be quite different from real translation practices. Every word, syllable, the ambience that the poem intended to create become profoundly significant in the act of translation. I love those translations without a subject. The paradox between impersonality and full absorption into the environment lies the beauty of the poem.
评分#我居然最喜欢的是单字翻译的那个版本。。。。。
评分Translation theory can be quite different from real translation practices. Every word, syllable, the ambience that the poem intended to create become profoundly significant in the act of translation. I love those translations without a subject. The paradox between impersonality and full absorption into the environment lies the beauty of the poem.
评分Translation theory can be quite different from real translation practices. Every word, syllable, the ambience that the poem intended to create become profoundly significant in the act of translation. I love those translations without a subject. The paradox between impersonality and full absorption into the environment lies the beauty of the poem.
评分Weinberger是真的不客气。大部分都同意，除了他认为Kenneth Rexroth译的好之外。#15提到的“an endless series of negations”是真的有洞见：虽然Paz把“返景”译成“Western Light”稍显多余，不过认识到王维是佛教徒所以能理解这首诗是a series of negations很有意思。不是很喜欢Weinberger说satori，感觉是时代错误：非要说的话唐代禅和日本禅相差甚远。以及最后的感想：翻译要小心，要不然有一个Weinberger在背后说风凉话就难受了????
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