Titian to Tiepolo: Three Centuries of Italian Art 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Gilberto Algranti 作者

Skira Editore

譯者

2002 出版日期

288 頁數

€35.00 價格

hardcover

叢書系列

9788884912107 圖書編碼

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發表於2024-12-24

Titian to Tiepolo: Three Centuries of Italian Art 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Titian to Tiepolo: Three Centuries of Italian Art 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Titian to Tiepolo: Three Centuries of Italian Art 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Titian to Tiepolo: Three Centuries of Italian Art 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Titian to Tiepolo: Three Centuries of Italian Art 在線電子書圖書描述

These three centuries saw the creation of a priceless amount of artistic masterpieces, whose existence influenced art history in an immeasurable manner. The selection of the artwork highlights a well-structured tour of the diverse cultural expressions that could be found in the various geographical regions of Italy throughout these three centuries. Following is a list of artists who can be found in the exhibition and in the catalogue. The 1500's are introduced with the great Renaissance masters Leonardo da Vinci, Raphael, and Michelangelo, as well as the innovators of the mannerist style such as Andrea del Sarto and Pontormo. Brilliant paintings by the Venetian school include Giorgione and Titian with his Sacred Conversation and Danae, as well as the famous Annunciation by Lorenzo Lotto. The 1600's cover the northern artistic schools lead by Carracci, Guido Reni, Guercino and Domenichino. Works by the revolutionary Caravaggio are Narcissus and Saint Francis, while Papal Rome is well represented by Bernini and Pietro da Cortona. The 1700's landscape artists include Vanvitelli, Canaletto, Bellotto, Pannini and Francesco Guardi.

From the Rococo period we find Tiepolo, Creti and Gandolfi. Final pieces include sculptures by Canova and Giani. Suitable for art historians, art students, art aficionados, armchair travelers. An important collection of the most significant pieces of Italian art.

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