The Original Frankenstein pdf epub mobi txt 电子书 下载 2025
Born in London, Mary Wollstonecraft Shelley (1797-51) was the daughter of William Godwin, a noted social theorist, and Mary Wollstonecraft, one of the leading literary women of the day. Her mother died soon after her birth, and Mary was raised first under the care of servants, then by a stepmother, and finally in the rarefied intellectual atmosphere of her father’s circle. In May 1814, she met Percy Bysshe Shelley and, in July of the year, moved with him to the Continent. Two years later, after the death of Shelley’s wife, the poet and Mary were able to wed. It was in Switzerland in 1816, as a result of a story-writing competition among the Shelleys and Lord Byron, that Mary began Frankenstein, her first and most famous novel. Published in 1818, it was followed by such works as Valperga (1823), The Last Man (1826), and Falkner (1837). In 1822, after the death of her husband, she devoted herself to the upbringing of her son and the securing of his right to the Shelley family title.
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Working from the earliest surviving draft of Frankenstein , Charles E. Robinson presents two versions of the classic novel—as Mary Shelley originally wrote it and a subsequent version clearly indicating Percy Shelley’s amendments and contributions.
For the first time we can hear Mary’s sole voice, which is colloquial, fast-paced, and sounds more modern to a contemporary reader. We can also see for the first time the extent of Percy Shelley’s contribution—some 5,000 words out of 72,000—and his stylistic and thematic changes. His occassionally florid prose is in marked contrast to the directness of Mary’s writing. Interesting, too, are Percy’s suggestions, which humanize the monster, thus shaping many of the major themes of the novel as we read it today. In these two versions of Frankenstein we have an exciting new view of one of literature’s greatest works.
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引言 大约距今九十年之前，一股自西向东而来的狂风正席卷中原大地——它吹落国人头顶的发髻，吹散国人眼前的浓雾，也吹醒国人心底的迷梦。在这狂风骤雨的交响曲之中，有一个最强的音——正是这个音，将我们拉入现代的世界，使这个落后的农业文明初次对现代化有了直观的认识—...
评分“而我这个被遗弃的受苦人却是个怪胎，活该受人轻蔑、蹂躏、践踏，被踢来踢去。”小说结尾，怪物疾声控诉，控诉狠心的造物主，控诉不公的命运。在怪物身上，它的出生便是种罪恶，是伴随其一生的原生之罪。这就注定了它要穷尽一生的时间去救赎，而如何救赎，便成了横亘于怪物面...
评分前言中还在说这本小说的主旨是揭示剥削阶级剥削被剥削阶级的残酷现实和被剥削阶级的勇敢反抗，让人不禁想，现在这是什么年代，何必呢。 我喜欢的译文版呀，新出版的怎么也会这样呢，又不是那个【最高指示】的年代了，真的何必呢。 弗兰肯斯坦在看到自己造出的怪物为害人类以后...
评分In literature, writers often guide readers to favor protagonists by using names of the main characters as titles of their works; such examples include Beowulf，Macbeth，and Jane Eyre. In the gothic novel Frankenstein, Mary Shelley likewise tries to gather h...
评分初中毕业时窝在书城读完了《弗兰肯斯坦》，但那是缩写版。此后随着知识的增长，我一直把它当作科技哲学的问题。即人制造了机器，但并不能主宰机器，反而被机器反咬一口。直到最近读了完整版，我才知道这部号称科幻小说之母的小说，包含的无穷内涵并不止科技问题。 小说的情节...
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