The Original Frankenstein

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Born in London, Mary Wollstonecraft Shelley (1797-51) was the daughter of William Godwin, a noted social theorist, and Mary Wollstonecraft, one of the leading literary women of the day. Her mother died soon after her birth, and Mary was raised first under the care of servants, then by a stepmother, and finally in the rarefied intellectual atmosphere of her father’s circle. In May 1814, she met Percy Bysshe Shelley and, in July of the year, moved with him to the Continent. Two years later, after the death of Shelley’s wife, the poet and Mary were able to wed. It was in Switzerland in 1816, as a result of a story-writing competition among the Shelleys and Lord Byron, that Mary began Frankenstein, her first and most famous novel. Published in 1818, it was followed by such works as Valperga (1823), The Last Man (1826), and Falkner (1837). In 1822, after the death of her husband, she devoted herself to the upbringing of her son and the securing of his right to the Shelley family title.

出版者:Vintage
作者:Mary Shelley
出品人:
頁數:464
译者:
出版時間:2009-9-8
價格:USD 14.00
裝幀:Paperback
isbn號碼:9780307474421
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Working from the earliest surviving draft of Frankenstein , Charles E. Robinson presents two versions of the classic novel—as Mary Shelley originally wrote it and a subsequent version clearly indicating Percy Shelley’s amendments and contributions.

For the first time we can hear Mary’s sole voice, which is colloquial, fast-paced, and sounds more modern to a contemporary reader. We can also see for the first time the extent of Percy Shelley’s contribution—some 5,000 words out of 72,000—and his stylistic and thematic changes. His occassionally florid prose is in marked contrast to the directness of Mary’s writing. Interesting, too, are Percy’s suggestions, which humanize the monster, thus shaping many of the major themes of the novel as we read it today. In these two versions of Frankenstein we have an exciting new view of one of literature’s greatest works.

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怪物・女性・上帝 ——从弗兰肯斯坦的怪物看人造人的社会设定悖论 《弗兰肯斯坦》(Frankenstein)又有一个副标题,即:《现代的普罗米修斯》(The Modern Prometheus)。全书讲述了一位名为维克多・弗兰肯斯坦(Victor Frankenstein)的科学家创造出一个人造人怪物的哥...  

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怪物・女性・上帝 ——从弗兰肯斯坦的怪物看人造人的社会设定悖论 《弗兰肯斯坦》(Frankenstein)又有一个副标题,即:《现代的普罗米修斯》(The Modern Prometheus)。全书讲述了一位名为维克多・弗兰肯斯坦(Victor Frankenstein)的科学家创造出一个人造人怪物的哥...  

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前言中还在说这本小说的主旨是揭示剥削阶级剥削被剥削阶级的残酷现实和被剥削阶级的勇敢反抗,让人不禁想,现在这是什么年代,何必呢。 我喜欢的译文版呀,新出版的怎么也会这样呢,又不是那个【最高指示】的年代了,真的何必呢。 弗兰肯斯坦在看到自己造出的怪物为害人类以后...  

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Shelley's story shows interesting connection between creator and its creation. The monster and Frankenstein share similar character in some aspects: both of them are curious and learn very fast. They are both hesitant, eager for love, and bear great grief....  

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