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F. R. Leavis 作者

Faber and Faber

译者

2008-5-29 出版日期

304 页数

USD 24.75 价格

Paperback

丛书系列

9780571243624 图书编码

The Great Tradition 在线电子书图书标签: 文学理论新批評文本批評 F.R.Leavis 神作文艺理论文学文化研究

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The Great Tradition 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Great Tradition 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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The major novelists who count in the same way as the major poets, in the sense that they not only change the possibilities of the art for practitioners and readers, but that they are significant in terms of the human awareness they promote; awareness of the possibilities of life.

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心目中最棒的文学批评家之一。剩下狄更斯Hard Times那章还没看。

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The Great Tradition 在线电子书著者简介

F.R. Leavis was born in 1895 in Cambridge, where he would live and teach for most of the rest of his life. He volunteered as a stretcher-bearer in the First World War, and was badly gassed on the Western Front. Appointed Director of Studies in English at Downing College, Cambridge, in 1930, he remained there for the next thirty years, often at odds with the University establishment. In 1932 he and his wife Queenie Roth founded the hugely influential journal Scrutiny, which ran until 1953. He was one of the most important figures in the development of modern literary criticism, and in the elevation of English as a serious academic subject. He died in 1978.

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The Great Tradition 在线电子书图书描述

'The great English novelists are Jane Austen, George Eliot, Henry James and Joseph Conrad...' So begins what is arguably F.R. Leavis' most controversial book, "The Great Tradition", an uncompromising critical and polemical survey of English fiction that was first published in 1948. He puts a powerful case for moral seriousness as the necessary criterion for inclusion in any list of the finest novelists. In the course of his argument he adds D.H. Lawrence to the pantheon, and singles out Charles Dickens' "Hard Times" as the one work of his that has the strength of 'a completely serious work of art'."The Great Tradition" is full of Leavis' characteristically austere rejections of styles of fiction that he found lacking in moral intensity. He dismissed Lawrence Sterne for his 'irresponsible (and nasty) trifling'. Of Henry Fielding he wrote that he is important 'not because he leads to Mr J.B. Priestley but because he leads to Jane Austen, to appreciate whose distinction is to feel that life isn't long enough to permit of one's giving much time to Fielding or any to Mr Priestley.' Joyce's "Ulysses", he said, was less a new start for fiction than 'a dead end'. Fiercely serious, pugnacious and stimulating, "The Great Tradition" is an unforgettable defence of 'those creative geniuses whose distinction is manifested in their being peculiarly alive in their time'.

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