As recipient of the 1997 Pritzker Architecture Prize—the profession’s highest honor—Norwegian architect Sverre Fehn has had an impact not only in his home country but around the globe. His projects, often described as being instilled with a human quality, include the Norwegian Pavilion at the 1958 Brussels World Exhibition and the Nordic Pavilion at the 1962 Venice Biennale, the Hamar Bispegaard Museum in Hamar, the Glacier Museum in Fjaerland Fjord, and the Aukrust Museum in Alvdal.
Fehn has been strongly influenced by Scandinavia’s breathtaking landscape and light conditions. His design sensibility is characterized by a great respect for material and construction. As a professor of long standing at the Oslo School of Architecture and Design, he has distilled his complex creative process, passing his thoughts and philosophies to new generations of architects.
This study of Fehn’s work provides an intimate glimpse into the world of this great postwar modernist. Author Per Olaf Fjeld presents both biography and perceptive critique as he covers all of Fehn’s major projects, built and unbuilt, from world-renowned museums to lesser-known houses. Never-before-published comments by Fehn from lectures, interviews, and conversations with students as well as dynamic sketches are featured, opening a window into the mind of this poetic and personal architect.
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最浪漫的草图
评分时隔几年回头再看这位大一初识的建筑师，感觉能理解的细节变多了，也因此惊喜和感触层出不穷。身处北欧，除了阿尔托以来强调的地域性，还惊讶地看到帕拉迪奥等古典精神、柯布西耶等现代革命、东方日本的美学影子这一脉络的贯穿。越发喜爱费恩的作品。阅于好友元卧槽藏书。
评分CU Library: NA1273.F45 F54 2009
评分时隔几年回头再看这位大一初识的建筑师，感觉能理解的细节变多了，也因此惊喜和感触层出不穷。身处北欧，除了阿尔托以来强调的地域性，还惊讶地看到帕拉迪奥等古典精神、柯布西耶等现代革命、东方日本的美学影子这一脉络的贯穿。越发喜爱费恩的作品。阅于好友元卧槽藏书。
评分时隔几年回头再看这位大一初识的建筑师，感觉能理解的细节变多了，也因此惊喜和感触层出不穷。身处北欧，除了阿尔托以来强调的地域性，还惊讶地看到帕拉迪奥等古典精神、柯布西耶等现代革命、东方日本的美学影子这一脉络的贯穿。越发喜爱费恩的作品。阅于好友元卧槽藏书。
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