The historical importance of composer Jean-Baptiste Lully has long been recognised. Regarded as the founder of French opera, as the embodiment of Baroque musical style and a key figure in the development of court ballet, his work enjoys popularity and scholarly interest. This volume presents the best research on Lully's life, his work and his influence. Eleven essays by American and European scholars address a wide range of topics including Lully's genealogy, the Tragedie Lyrique, Lully's Palais Royal theatre, the collaboration with Moliere, the transmission of Lully's work away from the Ile-de-France, and an unexplored link with Marcel Proust. Illustrated with musical examples and photographs, the volume also contains surprising archival discoveries about the composer's early life in Tuscany and new information about his manuscript sources. It will interest all those involved in the music of Lully and his time, whether musicologists, historians, performers or listeners.
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最后那篇讲普鲁斯特的蛮有意思
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评分最后那篇讲普鲁斯特的蛮有意思
评分最后那篇讲普鲁斯特的蛮有意思
评分最后那篇讲普鲁斯特的蛮有意思
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