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The relationship between where art is made and where art is seen is extremely fluid or at least bidirectional. As long as the art work is within reach of the artist, it remains open to changes. Essentially the studio not only holds production, it could also be art itself. 在藝術傢與藝術品、藝術品與空間、完成與未完成、觀看與被矚目的界限都越來越模糊的時代，藝術與其展示空間的權力關係已經從單一的、縱嚮的，變成分散以及平麵的。

The relationship between where art is made and where art is seen is extremely fluid or at least bidirectional. As long as the art work is within reach of the artist, it remains open to changes. Essentially the studio not only holds production, it could also be art itself. 在藝術傢與藝術品、藝術品與空間、完成與未完成、觀看與被矚目的界限都越來越模糊的時代，藝術與其展示空間的權力關係已經從單一的、縱嚮的，變成分散以及平麵的。

The relationship between where art is made and where art is seen is extremely fluid or at least bidirectional. As long as the art work is within reach of the artist, it remains open to changes. Essentially the studio not only holds production, it could also be art itself. 在藝術傢與藝術品、藝術品與空間、完成與未完成、觀看與被矚目的界限都越來越模糊的時代，藝術與其展示空間的權力關係已經從單一的、縱嚮的，變成分散以及平麵的。

The relationship between where art is made and where art is seen is extremely fluid or at least bidirectional. As long as the art work is within reach of the artist, it remains open to changes. Essentially the studio not only holds production, it could also be art itself. 在藝術傢與藝術品、藝術品與空間、完成與未完成、觀看與被矚目的界限都越來越模糊的時代，藝術與其展示空間的權力關係已經從單一的、縱嚮的，變成分散以及平麵的。

The relationship between where art is made and where art is seen is extremely fluid or at least bidirectional. As long as the art work is within reach of the artist, it remains open to changes. Essentially the studio not only holds production, it could also be art itself. 在藝術傢與藝術品、藝術品與空間、完成與未完成、觀看與被矚目的界限都越來越模糊的時代，藝術與其展示空間的權力關係已經從單一的、縱嚮的，變成分散以及平麵的。