彼得•漢德剋（Peter Handke，1942— ）

奧地利著名先鋒劇作傢，小說傢。他創作的《卡斯帕》，在現代戲劇史上的地位堪與貝剋特的《等待戈多》相提並論，被譽為創造“說話劇”與反語言規訓的大師。他的小說《守門員麵對罰點球時的焦慮》《無欲的悲歌》等滲透瞭作傢本人的生活經曆和思想觀念，他用最簡單的筆調狀齣具有豐富內蘊的作品。

漢德剋是20世紀德語文學最重要的幾位作傢之一，被稱為“活著的經典”，他於1973年獲畢希納文學奬，2009年獲弗朗茨•卡夫卡奬。在文學創作之外，漢德剋參與編劇的《柏林蒼穹下》成為電影史經典，他本人根據自己作品改編的電影《左撇子女人》曾獲戛納電影節最佳影片提名。

By Nobel Prize Winner Peter Handke

Provocative, romantic, and restlessly exploratory, Peter Handke is one of the great writers of our time. Slow Homecoming, originally published in the late 1970s, is central to his achievement and to the powerful influence he has exercised on other writers, chief among them W.G. Sebald. A novel of self-questioning and self-discovery, Slow Homecoming is a singular odyssey, an escape from the distractions of the modern world and the unhappy consciousness, a voyage that is fraught and fearful but ultimately restorative, ending on an unexpected note of joy.

The book begins in America. Writing with the jarring intensity of his early work, Handke introduces Valentin Sorger, a troubled geologist who has gone to Alaska to lose himself in his work, but now feels drawn back home: on his way to Europe he moves in ominous disorientation through the great cities of America. The second part of the book, “The Lesson of Mont Sainte-Victoire,” identifies Sorger as a projection of the author, who now writes directly about his own struggle to reconstitute himself and his art by undertaking a pilgrimage to the great mountain that Cézanne painted again and again. Finally, “Child Story” is a beautifully observed, deeply moving account of a new father—not so much Sorger or the author as a kind of Everyman—and his love for his growing daughter.