Michael Snow 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Michael Snow

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Elizabeth Legge 作者
Afterall Books
譯者
2009-10-30 出版日期
104 頁數
USD 16.00 價格
Paperback
叢書系列
9781846380563 圖書編碼

Michael Snow 在線電子書 圖書標籤: 藝術史  extensive_reading   


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Michael Snow 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

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Michael Snow 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Michael Snow 在線電子書 用戶評價

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mcluhan, leary, and the popular culture of consciousness

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mcluhan, leary, and the popular culture of consciousness

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mcluhan, leary, and the popular culture of consciousness

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mcluhan, leary, and the popular culture of consciousness

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mcluhan, leary, and the popular culture of consciousness

Michael Snow 在線電子書 著者簡介


Michael Snow 在線電子書 著者簡介


Michael Snow 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Michael Snow 在線電子書 圖書描述

In 1966, at the height of minimal art in New York, artist Michael Snow chose not to make another object to be placed in a room but instead spent a year planning a film of a room: Wavelength, a forty-five-minute more or less straight-line zoom from the near to the far wall of a loft space, accompanied by a rising sine wave. In this illustrated study, Elizabeth Legge describes Wavelength as a film of virtuosically managed tensions, sensuous beauty, subtle light and color, and recession into perspectival depth. At the same time, she points out, it is also austere: the loft space where the action unfolds could be the last clerical outpost of a defunct business. The zoom is punctuated by what Snow laconically called "4 human events": a woman directs two men who carry in a bookcase and place it against the left wall of the room; two women come in and listen to the Beatles' "Strawberry Fields" on the radio; a man briefly appears after protracted crashing and glass-breaking noises, wheels around, and drops dead; a young woman comes into the room and makes a frightened telephone call reporting the dead man ("And he doesn't look drunk, he looks dead."). Wavelength won the grand prize for experimental film at Knokke-le-Zoute in 1967, and it was crucial to critics' efforts to establish a vocabulary for temporal art. It was a "wavelength" that could stand up to the French new wave, and it has has functioned ever since as a touchstone for art and film studies, and as a blue screen in front of which a range of ideological and intellectual dramas have been played.

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