Poems, Poets, Poetry

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出版者:Bedford Books
作者:A Kingsley Porter University Professor Helen Vendler
出品人:
页数:707
译者:
出版时间:2009-10-23
价格:GBP 56.79
装帧:Paperback
isbn号码:9780312463199
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  • 文学
  • 下一单
  • Poetry
  • Books
  • Poets
  • Literature
  • English
  • Poem
  • Creative
  • Writing
  • Song
  • Emotion
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具体描述

Many students today are puzzled by the meaning and purpose of poetry. "Poems, Poets, Poetry "demystifies the form and introduces students to its artistry and pleasures, using methods that Helen Vendler has successfully used herself over her long, celebrated career. Guided by Vendler's erudite yet down-to-earth approach, students at all levels can benefit from her authoritative instruction. Her blend of new and canonical poets includes the broadest selection of new and multi-racial poets offered by any introductory text. Comprehensive and astute, this text engages students in effective ways of reading -- and taking delight in -- poetry.

《诗歌、诗人、诗意》是一本深入探索诗歌艺术的书籍。本书并非一本单纯的诗歌选集,也不是一本僵化的诗歌理论手册,而是以一种更为自由、开放的视角,将诗歌的诞生、流淌与品味编织在一起,展现其迷人的魅力。 内容梗概: 本书的架构围绕着“诗歌”、“诗人”与“诗意”这三个核心要素展开,层层递进,又相互呼应。 第一部分:诗歌的灵魂——形式与情感的交织 在这一部分,我们将不局限于任何一种特定的诗歌体裁或流派,而是着眼于诗歌最根本的特质。我们会探讨那些构成诗歌生命力的元素,例如: 意象与象征: 诗歌如何通过具象的意象,唤醒抽象的情感与思想?我们如何解读那些潜藏在文字背后的象征意义,体会诗人想要传递的深层含义?本书将通过大量的例证,展示不同时代、不同文化背景下的诗人是如何运用意象来构建其独特的诗歌世界的。 节奏与韵律: 诗歌并非只有视觉上的文字,更是一种听觉上的体验。本书将分析诗歌在语言上的音乐性,探讨节奏、韵律、音节等如何影响诗歌的情感表达和阅读感受。我们会解析不同诗歌形式(如格律诗、自由诗)在节奏处理上的差异,以及诗人如何巧妙运用这些技巧来营造特定的氛围。 语言的魔力: 诗歌的语言往往是精炼、准确且富有张力的。我们将深入研究诗人如何选择、锤炼字词,如何运用比喻、拟人、排比等修辞手法,让平淡的语言焕发出非凡的光彩。本书将探讨语言在诗歌中承载的感官体验,以及如何通过文字的力量触动读者的内心。 情感的涌动: 诗歌是人类情感最直接、最真挚的表达。本书将引导读者去感受诗歌中流淌的各种情感,从喜悦、悲伤到爱恋、孤独,再到愤慨、希望。我们将探讨诗人如何将个体的情感升华为具有普遍意义的体验,让读者在共鸣中找到慰藉或启迪。 第二部分:诗人的心声——创作的轨迹与思考 这一部分将聚焦于诗歌的创造者——诗人。我们将尝试理解他们为何而写,又如何写,以及他们所处的时代和个人经历对创作的影响。 诗人的诞生: 什么样的土壤可以孕育出伟大的诗人?本书将探讨成为诗人的可能性,以及诗人内在的驱动力。我们会触及诗人的敏感、观察力、想象力,以及他们对世界独特的感知方式。 创作的源泉: 诗歌的灵感从何而来?是日常生活中的细微之处,是历史的沧桑变迁,是哲学的深邃思考,还是内心深处的隐秘情感?本书将追溯不同诗人的创作灵感来源,展现他们如何从平凡中汲取不凡的力量。 诗人的声音: 每一位诗人都有其独特的“声音”。我们将分析不同诗人的风格特点,他们如何形成自己独特的叙事方式、语言风格和情感基调。这不仅仅是对风格的简单罗列,而是深入剖析诗人如何在创作中打磨出属于自己的鲜明印记。 诗人的困境与追求: 诗人并非生活在真空之中。本书也将触及诗人在创作过程中可能遇到的挑战,例如孤独、不被理解、经济压力等,以及他们为了追求艺术的纯粹所付出的努力和坚持。 第三部分:诗意的栖居——阅读与感悟的升华 诗歌最终是为了被阅读、被感悟。这一部分将侧重于读者如何走进诗歌的世界,并从中获得属于自己的收获。 阅读的艺术: 如何才能更好地欣赏一首诗?本书将提供一些阅读诗歌的方法和建议,帮助读者克服阅读障碍,更深入地理解诗歌的内涵。这包括如何关注诗歌的细节,如何揣摩诗人的意图,以及如何将自己的情感与诗歌相结合。 诗意的启示: 诗歌不仅仅是文字的排列,它能带给我们生活的启示、哲学的思考,以及对生命更深刻的理解。本书将探讨诗歌如何在潜移默化中影响我们的认知,拓展我们的视野,提升我们的精神境界。 诗意的传承: 诗歌是人类文明的瑰宝,代代相传。我们将看到不同时代的诗歌如何相互影响,又如何被后人重新解读和发展。这部分也将强调诗歌在当下社会中的价值和意义。 《诗歌、诗人、诗意》并非一本枯燥的学术著作,它更像是一场与诗歌的深度对话,一次对诗人心灵的探访,一趟在诗意世界中的旅行。书中没有固定的答案,只有引导你去发现、去感受、去思考的邀请。通过对诗歌形式、诗人创作以及诗意解读的全面探索,本书旨在帮助每一个热爱或渴望了解诗歌的人,都能在文字的海洋中找到属于自己的那份感动与力量。它希望能够点燃你对诗歌的好奇心,让你在阅读中发现新的世界,并在生活的点滴中,体味到无处不在的诗意。

作者简介

Helen Vendler, critic and scholar of English-language poetry from the seventeenth century to the present, is A. Kingsley Porter University Professor at Harvard University–the first woman to hold a University Professorship, the highest academic distinction Harvard bestows. In 2004 the National Endowment for the Humanities named her the Jefferson Lecturer, the highest academic distinction conferred by the Federal Government. She was poetry critic of The New Yorker from 1978-1990, and was a member of the Pulitzer Prize Board from 1990-1999, often serving before those years on Pulitzer Prize juries for poetry. She has written scholarly studies of William Shakespeare, Seamus Heaney, and Emily Dickinson, and has received the National Book Critics' Circle Award for Criticism in 1981, as well as the Truman Capote Prize and the Lowell Prize of the MLA. Her criticism has been collected in several volumes, including Part of Nature, Part of Us; The Music of What Happens; and Soul Says. Her 2007 Mellon Lectures have been published under the title Last Looks, Last Books: Stevens, Plath, Bishop, Merrill.

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目录信息

Preface: About This Book
Brief Contents
Contents
Chronological Contents
About Poets and Poetry
PART I. AN INTRODUCTION TO POETRY
1. The Poem as Life
The Private Life
William Blake, Infant Sorrow
Louise Glück, The School Children
E. E. Cummings, in Just-
NEW Robert Hayden, Those Winter Sundays
Walt Whitman, Hours Continuing Long
Wallace Stevens, The Plain Sense of Things
The Public Life
Michael Harper, American History
Charles Simic, Old Couple
Robert Lowell, Skunk Hour
Nature and Time
Anonymous, The Cuckoo Song
Dave Smith, The Spring Poem
John Keats, The Human Seasons
William Shakespeare, Sonnet 60 (Like as the waves make towards the pebbled shore)
In Brief: The Poem as Life
Reading Other Poems
Sir Thomas Wyatt, They Flee from Me
Ben Jonson, On My First Son
John Milton, On the Late Massacre in Piedmont
John Keats, When I Have Fears
Emily Dickinson, A narrow Fellow in the grass
Langston Hughes, Theme for English B
Dylan Thomas, Do Not Go Gentle into That Good Night
Sylvia Plath, Daddy
Rita Dove, Flash Cards
Yusef Komunyakaa, Facing It
Julia Alvarez, Homecoming
2. The Poem as Arranged Life
The Private Life
William Blake, Infant Joy
William Blake, Infant Sorrow
Louise Glück, The School Children
E. E. Cummings, in Just-
Robert Hayden, Those Winter Sundays
Walt Whitman, Hours Continuing Long
Wallace Stevens, The Plain Sense of Things
The Public Life
Michael S. Harper, American History
Charles Simic, Old Couple
Robert Lowell, Skunk Hour
Nature and Time
Anonymous, The Cuckoo Song
Dave Smith, The Spring Poem
John Keats, The Human Seasons
William Shakespeare, Sonnet 60 (Like as the waves make towards the pebbled shore)
In Brief: The Poem as Arranged Life
Reading Other Poems
Anonymous, Lord Randal
William Shakespeare, Sonnet 29 (When in disgrace with fortune and men's eyes)
Chidiock Tichborne, Tichborne's Elegy
John Donne, A Valediction: Forbidding Mourning
Robert Herrick, Upon Julia's Clothes
George Herbert, Love (III)
Walt Whitman, A Noiseless Patient Spider
Thomas Hardy, The Convergence of the Twain
Robert Frost, The Road Not Taken
Margaret Atwood, Footnote to the Amnesty Report on Torture
Marilyn Nelson, Live Jazz, Franklin Park Zoo
3. Poems as Pleasure
Rhythm
Rhyme
Ben Jonson, On Gut
Structure
William Carlos Williams, Poem
Gwendolyn Brooks, We Real Cool
Images
William Blake, London
Argument
Christopher Marlowe, The Passionate Shepherd to His Love
Walter Ralegh, The Nymph's Reply to the Shepherd
Poignancy
William Wordsworth, A Slumber Did My Spirit Seal
Wisdom
A New Language
Finding Yourself
In Brief: Poems as Pleasure
Reading Other Poems
William Shakespeare, Sonnet 130 (My mistress' eyes are nothing like the sun)
Robert Herrick, To the Virgins, to Make Much of Time
William Blake, The Sick Rose
Gerard Manley Hopkins, Pied Beauty
Thomas Hardy, The Darkling Thrush
Robert Frost, After Apple-Picking
Robert Frost, Unharvested
D.H. Lawrence, Snake
William Carlos Williams, The Dance
Theodore Roethke, My Papa's Waltz
Derek Walcott, The Season of Phantasmal Peace
Elizabeth Alexander, Nineteen
4. Describing Poems
Poetic Kinds
Narrative versus Lyric; Narrative as Lyric
Adrienne Rich, Necessities of Life
Philip Larkin, Talking in Bed
Classifying Lyric Poems
Content genres
Emily Dickinson, The Heart asks Pleasure--first--
Speech Acts
Carl Sandburg, Grass
Outer Form
Line Width
Rhythm
Poem Length
Combinatorial Form Names
Inner Structural Form
Sentences
Robert Herrick, The Argument of His Book
Person
Agency
Randall Jarrell, The Death of the Ball Turret Gunner
Tenses
William Wordsworth, A Slumber Did My Spirit Seal
Images, or Sensuous Words
Sylvia Plath, Metaphors
Exploring a Poem
John Keats, Upon First Looking into Chapman's Homer
In Brief: Describing Poems
Reading Other Poems
William Shakespeare, Sonnet 129 (Th' expense of spirit in a waste of shame)
George Herbert, Easter Wings
Andrew Marvell, The Garden
John Milton, When I Consider How My Light is Spent
Anne Bradstreet, To My Dear and Loving Husband
John Keats, Ode to a Nightingale
Matthew Arnold, Dover Beach
Robert Frost, Mending Wall
Ezra Pound, The River Merchant's Wife: A Letter
Mark Strand, Courtship
Seamus Heaney, From the Frontier of Writing
Jorie Graham, San Sepolcro
Sherman Alexie, Evolution
5. The Play of Language
Sound Units
Word Roots
Words
Sentences
Robert Frost, Stopping by Woods on a Snowy Evening
Emily Dickinson, The Heart asks Pleasure--first--
Implication
The Ordering of Language
George Herbert, Prayer (I)
William Shakespeare, Sonnet 66 (Tired with all these, for restful death I cry)
Michael Drayton, Since there's no help
In Brief: The Play of Language
Reading Other Poems
John Donne, Holy Sonnet 14 (Batter my heart, three-personed God; for You)
John Keats, To Autumn
Robert Browning, My Last Duchess
Henry Reed, Naming of Parts
William Butler Yeats, The Wild Swans at Coole
Wallace Stevens, The Emperor of Ice-Cream
H.D., Oread
E.E. Cummings, r-p-o-p-h-e-s-s-a-g-r
Elizabeth Bishop, One Art
Joy Harjo, Song for Deer and Myself to Return On
Lorna Dee Cervantes, Poema para los Californios Muertos
6. Constructing a Self
Multiple Aspects
William Shakespeare, Sonnet 30 (When to the sessions of sweet silent thought)
Change of Discourse
Space and Time
Seamus Heaney, Mid-Term Break
Testimony
Motivations
Typicality
Tone as a Marker of Selfhood
Gerard Manley Hopkins, Spring and Fall
Imagination
Emily Dickinson, I heard a Fly buzz--when I died--
Persona
William Butler Yeats, Crazy Jane Talks with the Bishop
In Brief: Constructing a Self
Reading Other Poems
John Dryden, Sylvia the Fair
Walt Whitman, I Saw in Louisiana a Live-Oak Growing
Emily Dickinson, I'm Nobody! Who are you?
William Butler Yeats, An Irish Airman Foresees His Death
Thomas Hardy, The Ruined Maid
T. S. Eliot, The Love Song of J. Alfred Prufrock
William Carlos Williams, To Elsie
Countee Cullen, Heritage
Anne Sexton, Her Kind
Charles Wright, Self-Portrait
Jane Kenyon, Otherwise
Carl Phillips, Africa Says
7. Poetry and Social Identity
Adrienne Rich, Mother-in-Law
Adrienne Rich, Prospective Immigrants Please Note
Langston Hughes, Genius Child
Langston Hughes, Me and the Mule
Langston Hughes, High to Low
Seamus Heaney, Terminus
In Brief: Poetry and Social Identity
Reading Other Poems
Robert Southwell, The Burning Babe
Thomas Nashe, A Litany in Time of Plague
Anne Bradstreet, A Letter to Her Husband Absent Upon Public Employment
William Blake, The Little Black Boy
Edward Lear, How Pleasant to Know Mr. Lear
Gerard Manley Hopkins, Felix Randal
Sylvia Plath, The Applicant
David Mura, An Argument: On 1942
Rita Dove, Wingfoot Lake
Sheila Ortiz Taylor, The Way Back
8. History and Regionality
History
William Wordsworth, A slumber did my spirit seal
Robert Lowell, The March 1
Langston Hughes, World War II
Wilfred Owen, Dulce et Decorum Est
Regionality
Sherman Alexie, On the Amtrak from Boston to New York City
William Wordsworth, Composed upon Westminster Bridge, September 3, 1802
In Brief: History and Regionality
Reading Other Poems
Samuel Taylor Coleridge, Kubla Khan
William Wordsworth, Lines Composed a Few Miles above Tintern Abbey
John Keats, Ode on a Grecian Urn
William Butler Yeats, Easter 1916
Wallace Stevens, Anecdote of the Jar
Robert Lowell, For the Union Dead
Robert Hayden, Night, Death, Mississippi
W.S. Merwin, The Asians Dying
Derek Walcott, The Gulf
Simon J. Ortiz, Bend in the River
Jorie Graham, What the End Is For
Gary Soto, History
Silvia Curbelo, Balsero Singing
Dionisio Martinez, History as a Second Language
9. Attitudes, Values, Judgments
William Shakespeare, Sonnet 76 (Why is my verse so barren of new pride?)
Robert Lowell, Epilogue
In Brief: Attitudes, Values, Judgments
Reading Other Poems
John Milton, Lycidas
Ben Jonson, Still to Be Neat
Richard Lovelace, To Lucasta, Going to the Wars
Phillis Wheatley, On Being Brought from Africa to America
Elizabeth Barrett Browning, How Do I Love Thee?
Walt Whitman, When I Heard the Learn'd Astronomer
William Butler Yeats, Meru
Robert Frost, The Gift Outright
Allen Ginsberg, Sunflower Sutra
Louise Glück, Mock Orange
Rita Dove, Parsley
Heidy Steidlmayer, Knife-Sharpener’s Song

New 10. Poets on Poetry
Poetry as Imagination
Art’s Fiction, Truth’s Claims
Poetry as Song
Poetry as Words
Poetry as an Evolving Structure
Poetry as a Destructive Force
The Idea of Lyric
Why Poetry at All?
Emily Dickinson, This is my letter to the World
Poetry Over Time
The Poet’s Audience
Poetry and Style

PART II. WRITING ABOUT POETRY
11. Writing about Poems
Basic Principles
A Brief Example
Robert Herrick, Divination by a Daffodil
A Longer Example:
William Wordsworth, I Wandered Lonely as a Cloud
Getting it Down on Paper
Begin with a Question
Present Your Case
Draw Your Conclusions
Keeping Your Readers in Mind
A Note on Writing about Unrhymed Poems
Organizing Your Paper
A Note on Well-Ordered Paragraphs
Checking Your Work
12. Studying Groups of Poems
Walt Whitman: Poems on Lincoln
Walt Whitman, Hush'd Be the Camps To-Day
Walt Whitman, O Captain! My Captain!
Walt Whitman, When Lilacs Last in the Dooryard Bloom'd
Walt Whitman, This dust was once a man
Emily Dickinson: Poems on Time
Emily Dickinson, I like to see it lap the Miles—
Emily Dickinson, Because I could not stop for Death—
Emily Dickinson, The Heart asks Pleasure—first—
Emily Dickinson, I felt a Cleaving in my Mind
Emily Dickinson, The first Day's Night had come—
Emily Dickinson, After great pain, a formal feeling comes
Emily Dickinson, There's a certain Slant of light
Emily Dickinson, Pain-expands the Time
Writing Your Paper
PART III. ANTHOLOGY
Sherman Alexie, Reservation Love Song
Paula Gunn Allen, Zen Americana
New Julia Alvarez, from 33
A. R. Ammons, The City Limits
A. R. Ammons, Easter Morning
Anonymous, Sir Patrick Spens
Anonymous, Western Wind
Matthew Arnold, Shakespeare
Matthew Arnold, To Marguerite
John Ashbery, Paradoxes and Oxymorons
John Ashbery, Street Musicians
New Margaret Atwood, Habitation
Margaret Atwood, This is a Photograph of Me
Margaret Atwood, Up
W. H. Auden, As I Walked Out One Evening
W.H. Auden, Musée des Beaux Arts
John Berryman, from Dream Songs
4 (Filling her compact & delicious body)
45 (He stared at ruin. Ruin stared straight back)
384 (The marker slants, flowerless, day's almost done)
New Frank Bidart, An American in Hollywood
New Frank Bidart, If See No End In Is
Frank Bidart, To My Father
Elizabeth Bishop, At the Fishhouses
Elizabeth Bishop, Poem
Elizabeth Bishop, Sestina
William Blake, Ah! Sun-flower
William Blake, The Garden of Love
William Blake, The Lamb
New William Blake, The Mental Traveller
William Blake, The Tyger
Richard Blanco, Letters for Mamá
Michael Blumenthal, A Marriage
New Michael Blumenthal, Early Childhood Education
Anne Bradstreet, Before the Birth of One of Her Children
Lucy Brock-Broido, Carrowmore
Lucy Brock-Broido, Domestic Mysticism
New Lucy Brock-Broido, Self-Deliverance by Lion
Emily Bronte, No Coward Soul Is Mine
Emily Bronte, Remembrance
Gwendolyn Brooks, The Bean Eaters
New Gwendolyn Brooks, Beverly Hills, Chicago
Elizabeth Barrett Browning, A Musical Instrument
Robert Browning, Childe Roland to the Dark Tower Came
Robert Burns, O, Wert Thou in the Cauld Blast
Robert Burns, A Red, Red Rose
George Gordon, Lord Byron, When We Two Parted
Lorna Dee Cervantes, Freeway 280
Marilyn Chin, Autumn Leaves
New Victoria Chang, $4.99 All You Can Eat Sunday Brunch
John Clare, Badger
John Clare, First Love
John Clare, I Am
New Lucille Clifton, the lost baby poem
New Henry Cole, Car Wash
Henri Cole, 40 Days and 40 Nights
Samuel Taylor Coleridge, Dejection: An Ode
Samuel Taylor Coleridge, The Rime of the Ancient Mariner
New Eduardo C. Corral, Monologue of a Vulture’s Shadow
William Cowper, The Castaway
William Cowper, Epitaph on a Hare
Hart Crane, The Broken Tower
Hart Crane, To Brooklyn Bridge
New Robert Creeley, When I think
Countee Cullen, Incident
E.E. Cummings, may I feel he said he
New E.E. Cummings, next to of course god america i
Emily Dickinson, The Brain--is wider than the Sky--
Emily Dickinson, I like a look of Agony
Emily Dickinson, Much Madness is divinest Sense--
Emily Dickinson, Safe in their Alabaster Chambers (1859)
Emily Dickinson, Safe in their Alabaster Chambers (1861)
Emily Dickinson, The Soul selects her own Society—
Emily Dickinson, There's a certain Slant of light
Emily Dickinson, Wild Nights--Wild Nights!
New John Donne, Breake of day
John Donne, Death, be not proud
John Donne, The Sun Rising
New Timothy Donnelly, Reading of Medieval Life, I Wonder Who I Am
Rita Dove, Adolescence--II
Rita Dove, Dusting
Paul Laurence Dunbar, Harriet Beecher Stowe
Paul Laurence Dunbar, Robert Gould Shaw
Paul Laurence Dunbar, We Wear the Mask
New Roberto Durán, Protest
T. S. Eliot, Preludes
Thomas Sayers Ellis, View of the Library of Congress from Paul Laurence Dunbar High School
Ralph Waldo Emerson, Concord Hymn
Louise Erdrich, The Strange People
New Rhina Espaillat, Translation
New Gustavo Pérez Firmat, Turning the Times Tables
New Mark Ford, The Long Man
Robert Frost, Birches
Robert Frost, Design
Allen Ginsberg, America
Louise Glück, All Hallows
Louise Glück, The Balcony
New Louise Glück, Midsummer
New Albert Goldbarth, The Novel That Asks to Erase Itself
New Albert Goldbarth, Unforeseeables
Jorie Graham, Of Forced Sightes and Trusty Ferefulness
Jorie Graham, Soul Says
New Jorie Graham, The Strangers
Thomas Gray, Elegy Written in a Country Churchyard
Thom Gunn, The Man with Night Sweats
Thom Gunn, My Sad Captains
H.D., Helen
Thomas Hardy, Afterwards
Michael S. Harper, Nightmare Begins Responsibility
Michael S. Harper, We Assume: On the Death of Our Son, Reuben Masai Harper
Robert Hayden, Frederick Douglass
Robert Hayden, Mourning Poem for the Queen of Sunday
New Terrance Hayes, WOOFER (When I Consider the African-American)
New Terrance Hayes, A Small Novel
Seamus Heaney, Bogland
Seamus Heaney, Punishment
George Herbert, The Collar
George Herbert, Redemption
Robert Herrick, Corinna's Going A-Maying
Gerard Manley Hopkins, God's Grandeur
Gerard Manley Hopkins, No worst, there is none. Pitched past pitch of grief
New John Hollander, By Nature
A.E. Housman, Loveliest of Trees, the Cherry Now
A.E. Housman, With Rue My Heart Is Laden
New Langston Hughes, Dream Variation
Langston Hughes, Harlem
Langston Hughes, I, Too
Langston Hughes, The Weary Blues
Ben Jonson, Come, My Celia
New Laura Kasischke, Miss Consolation for Emotional Damages
John Keats, In drear nighted December
John Keats, La Belle Dame Sans Merci
John Keats, On Sitting Down to Read King Lear Once Again
John Keats, This Living Hand
New Jane Kenyon, Back
New Jane Kenyon, Otherwise
Jane Kenyon, Surprise
Etheridge Knight, A Poem for Myself (Or Blues for a Mississippi Black Boy)
Kenneth Koch, Variations on a Theme by William Carlos Williams
Yusef Komunyakaa, Boat People
Yusef Komunyakaa, My Father's Loveletters
New Yusef Komunyakaa, The Towers
Stanley Kunitz, The Portrait
Philip Larkin, High Windows
Philip Larkin, Reasons for Attendance
Philip Larkin, This Be the Verse
D.H. Lawrence, The English Are So Nice!
New Inada Lawson, XI. Japs
New Li-Young Lee, Mother Deluxe
Denise Levertov, The Ache of Marriage
Harold Littlebird, White-Washing the Walls
Henry Wadsworth Longfellow, Aftermath
Henry Wadsworth Longfellow, The Jewish Cemetery at Newport
Audre Lorde, Hanging Fire
Robert Lowell, Sailing Home from Rapallo
Archibald MacLeish, Ars Poetica
New Victor Martínez, The Ledger
New Andrew Marvell, The Definition of Love
Andrew Marvell, The Mower’s Song
Andrew Marvell, The Mower to the Glowworms
Andrew Marvell, To His Coy Mistress
New Shara McCallum, The Incident
Herman Melville, The Berg
Herman Melville, Monody
New James Merrill, The Christmas Tree
W.S. Merwin, For a Coming Extinction
W.S. Merwin, For the Anniversary of My Death
John Milton, L'Allegro
John Milton, Methought I Saw My Late Espousèd Saint
John Milton, On Shakespeare
New Marianne Moore, A Grave
New Marianne Moore, England
Marianne Moore, Poetry
Marianne Moore, The Steeple-Jack
Pat Mora, La Migra
New Pat Mora, Rituals
New Thylias Moss, One for All Newborns
New Harryette Mullen, Omnivore
Frank O'Hara, Ave Maria
Frank O'Hara, Why I Am Not a Painter
Wilfred Owen, Anthem for Doomed Youth
Wilfred Owen, Disabled
New Grace Paley, from Detour
New Carl Phillips, Blue
Carl Phillips, The Kill
Carl Phillips, Passing
Sylvia Plath, Edge
Sylvia Plath, Lady Lazarus
Sylvia Plath, Morning Song
Edgar Allan Poe, Annabel Lee
Alexander Pope, from An Essay on Man (Epistle 1)
Ezra Pound, In a Station of the Metro
New D.A. Powell, [autumn set us heavily to task: unrooted the dahlias]
New D.A. Powell, [cherry elixir: the first medication. so mary poppins]
Sir Walter Ralegh, The Lie
New Srikanth Reddy, Fourth Circle
Adrienne Rich, Diving into the Wreck
New Adrienne Rich, I Am in Danger—Sir--
Adrienne Rich, The Middle-Aged
Alberto Ríos, Teodoro Luna's Two Kisses
Edwin Arlington Robinson, Richard Cory
Theodore Roethke, Elegy for Jane
Theodore Roethke, The Waking
New Aleida Rodríquez, Lexicon of Exile
New Noelle Brynn Saito, Turkey People
William Shakespeare, Fear No More the Heat o' the Sun
William Shakespeare, Full Fathom Five
William Shakespeare, Sonnet 18 (Shall I compare thee to a summer's day?)
William Shakespeare, Sonnet 116 (Let me not to the marriage of true minds)
Percy Bysshe Shelley, Ode to the West Wind
Percy Bysshe Shelley, Ozymandias
Sir Philip Sidney, from Astrophel and Stella
1 (Loving in Truth)
31 (With how sad steps)
Charles Simic, Charon's Cosmology
Charles Simic, Fork
New Charles Simic, A Suitcase Strapped with a Rope
Christopher Smart, From Jubilate Agno
Christopher Smart, On a Bed of Guernsey Lilies
Dave Smith, On a Field Trip at Fredericksburg
New Ron Smith, The Teachers Pass the Popcorn
Stevie Smith, Not Waving But Drowning
New Tracy K. Smith, El Mar
New Tracy K. Smith, Credulity
Gary Snyder, Axe Handles
Gary Snyder, How Poetry Comes to Me
New Edmund Spenser, A Hymne in Honour of Love
Edmund Spenser, Sonnet 75 (One day I wrote her name upon the strand)
Wallace Stevens, The Idea of Order at Key West
Wallace Stevens, The Planet on the Table
Wallace Stevens, The Snow Man
Wallace Stevens, Sunday Morning
Wallace Stevens, Thirteen Ways of Looking at a Blackbird
Mark Strand, Keeping Things Whole
New Adrienne Su, The English Canon
New May Swenson, Untitled
New May Swenson, I Look at My Hand
New May Swenson, How Everything Happens
Alfred, Lord Tennyson, from In Memoriam A.H.H.
7 (Dark house)
99 (Risest thou thus)
106 (Ring out, wild bells)
12 (Sad Hesper o'er the buried sun)
Alfred, Lord Tennyson, Tears, Idle Tears
Alfred, Lord Tennyson, Ulysses
Dylan Thomas, Fern Hill
Dylan Thomas, In My Craft or Sullen Art
New Natasha Trethewey, What is Evidence
Henry Vaughan, They Are All Gone into the World of Light!
Derek Walcott, Blues
Derek Walcott, God Rest Ye Merry, Gentlemen
New Derek Walcott, Perhaps it exists….
Rosanna Warren, In Creve Coeur, Missouri
New Joshua Weiner, The Yonder Tree
New James Welch, Getting Things Straight
James Welch, Harlem, Montana: Just Off the Reservation
New Phillis Wheatley, To S.M. a young African Painter, on seeing his Works
Walt Whitman, A Hand-Mirror
Walt Whitman, from Song of Myself
1. (I celebrate myself)
6 (A child said, What is the grass?)
52 (The spotted hawk)
Walt Whitman, Vigil Strange I Kept on the Field One Night
Richard Wilbur, Cottage Street, 1953
Richard Wilbur, The Writer
William Carlos Williams, Landscape with the Fall of Icarus
William Carlos Williams, The Raper from Passenack
William Carlos Williams, Spring and All
William Carlos Williams, This Is Just to Say
William Wordsworth, My Heart Leaps Up
William Wordsworth, Ode: Intimations of Immortality
William Wordsworth, The Solitary Reaper
James Wright, A Blessing
James Wright, Small Frogs Killed on the Highway
Sir Thomas Wyatt, Forget Not Yet
New John Yau, Autobiography in Red and Yello
William Butler Yeats, Among School Children
New William Butler Yeats, A Dialogue Between Self and Soul
William Butler Yeats, Down by the Salley Gardens
William Butler Yeats, The Lake Isle of Innisfree
William Butler Yeats, Leda and the Swan
William Butler Yeats, Sailing to Byzantium
William Butler Yeats, The Second Coming
Appendices
On Prosody
On Grammar
On Speech Acts
On Rhetorical Devices
On Lyric Subgenres
Index of Authors, Titles, and First Lines
Index of Terms [Endpapers]
· · · · · · (收起)

读后感

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坦白说,我最初是被这本书的封面设计吸引的,那种深沉的蓝色调配上极简的烫金字体,透露出一种沉静的力量。然而,真正让我沉浸其中的,是作者对“时间”这个宏大主题的细致入微的解构。这不是一部探讨时间哲学的论文,而是通过一个个微小的瞬间来切片时间。比如,描写一只蝴蝶破茧而出的过程,竟用了整整三页的篇幅,将生命从蛰伏到爆发的每一个细微的挣扎都捕捉下来,那种对生命力的礼赞,让我几乎能感受到翅膀振动的微风。这本书的叙事视角非常多变,有时是第一人称的私密告白,有时又是冷眼旁观的第三人称叙述,这种视角的切换,使得作品的层次感异常丰富,避免了单一情绪的泛滥。它像是一面多棱镜,从不同的角度折射出人生的复杂与多维。

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这本书带给我的震撼,更多的是一种精神上的“拓宽”。它让我开始重新审视我习以为常的世界观。那些诗歌探讨的主题跨越了个人情感,触及到了更深层次的社会观察和对人类境遇的沉思。我特别欣赏其中关于“城市与自然”对比的系列作品,作者没有简单地歌颂自然、批判城市,而是描绘了一种共存的、甚至相互渗透的张力,比如在水泥森林中寻找一株顽强生长的小草,那种微弱的生机反而被衬托得更加震撼人心。全书的语言风格如同一个经验丰富的酿酒师,将酸、甜、苦、辣等各种情绪的精华融入其中,口感醇厚,回味悠长。读完合上书本的那一刻,世界仿佛被重新着色了一般,原本平淡无奇的街道、天空,似乎都染上了一层诗意的滤镜。这绝对是一部能提升个体审美境界的佳作,它的价值远超其纸张和油墨的物理存在。

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这本书简直是一场感官的盛宴,文字的流动如同山涧清泉,时而轻快,时而深沉,将读者带入一个又一个构建精妙的意境之中。我尤其欣赏作者对意象的捕捉能力,那些寻常之物在诗人的笔下被赋予了全新的生命与解读。例如,描写日落的一段,并非仅仅停留在色彩的堆砌,而是深入到光影交错间,那种转瞬即逝的永恒感被拿捏得恰到好处。读完后,我感觉自己好像刚刚经历了一场洗礼,心中的某些坚硬的角落被柔软的诗句轻轻摩挲,留下了难以磨灭的温柔印记。诗歌的节奏感在这部作品中被运用到了极致,有些篇章读起来犹如激昂的鼓点,催人奋进;而另一些则如同舒缓的摇篮曲,让人在文字的摇曳中找到了久违的宁静。这本书的排版也十分考究,留白的处理恰到好处,仿佛每一次翻页都是一次深呼吸的机会,让心灵有时间去消化那些浓缩的情感与哲思。这是一部值得反复品读的作品,每一次重读都会有新的发现,就像探索一个不断变换的迷宫,总有未曾注意到的角落等待被点亮。

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我必须承认,我是一个对韵律和格律非常挑剔的读者,但在这部作品中,作者展示了一种罕见的平衡感——既有古典诗歌中那种含蓄蕴藉的美,又不失现代口语的鲜活性。很多现代诗歌为了追求“自由”,反而显得松散和无力,但这里的每一行诗,即便打破了传统格律,其内在的音韵张力依旧存在,仿佛是经过了无数次的打磨,每一个词的位置都像是经过精确计算的。特别是有一篇关于“记忆碎片”的诗作,作者使用了大量的破碎句式和跳跃的意象,但这种破碎感恰恰完美地模拟了记忆的非线性提取过程,让人在阅读时体验到一种奇妙的“错位美学”。这本书的篇幅控制得也很好,既不显得过于冗长拖沓,也充分保证了主题的深度挖掘。它不是那种读完就扔的书,而是那种需要你拿出荧光笔,标注下那些让你拍案叫绝的句子,然后贴在书桌前,时时提醒自己,文字可以拥有如此强大的塑形能力。

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说实话,我对诗歌的兴趣一直比较泛泛,总觉得晦涩难懂,但这部作品彻底颠覆了我的固有印象。它的语言是如此的直白而又充满力量,没有故作高深的矫饰,却能轻易地触及灵魂最深处那些不为人知的角落。我仿佛能听到作者在字里行间低语,分享着那些关于爱、失落、时间流逝的深刻体验。其中关于“等待”的一组诗,结构非常巧妙,它不是线性地描述等待的过程,而是通过描绘等待带来的物理和心理上的变化——桌上的灰尘、墙上时钟的滴答声、逐渐变得麻木的感官——将一种抽象的情绪具象化了。这种叙事上的创新,让原本枯燥的题材变得引人入胜。这本书的结构像是一部精心编排的交响乐,每一部分都有其独立的美感,但整体上又浑然一体,情绪的起伏跌宕,高潮迭起,让人欲罢不能。我甚至在通勤的地铁上,都不自觉地被那些句子吸引,不得不停下手中的事情,细细咀嚼每一个词语的重量。

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为何我们华人编不出这么好的书呢?我们有那么多古典诗词

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为何我们华人编不出这么好的书呢?我们有那么多古典诗词

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为何我们华人编不出这么好的书呢?我们有那么多古典诗词

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为何我们华人编不出这么好的书呢?我们有那么多古典诗词

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为何我们华人编不出这么好的书呢?我们有那么多古典诗词

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