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安德烈·纪德（1869-1951），法国作家，出生于巴黎，一八九一年发表第一部小说，开始写作生涯。一九〇九年参与创办《新法兰西评论》。一九四七年获诺贝尔文学奖。代表作有小说《背德者》、《窄门》、《田园交响曲》、《梵蒂冈地窖》、《伪币制造者》，散文《地粮》、《刚果之行》等。
纪德是现代西方文学史、思想史上的重要人物。他广泛关注宗教、爱情、家庭、性、政治等各类问题，热烈歌吟解放与自由，以赤诚之心去担当人性中的最大可能。他是时代的见证人，更是时代的创造者，法国文坛的后起之秀如萨特、加缪等，都曾将纪德视为自己的精神导师。同时，纪德也称得上二十世纪最具争议、最令人费解的作家之一。他的“纵情”、他的“颠覆”，曾一度使他“声名狼藉”；但另一方面，他内心中同样真挚的是一种对于“神圣生活”的需要的肯定。他对同性恋的辩护、在道德伦理上的特别主张至今仍是人们关注和讨论的焦点。
译者桂裕芳（1930- ），湖北武汉人。北京大学法语系教授，著名翻译家。获法国教育部颁发的教育勋章。译著主要有：普鲁斯特《追忆似水年华》（第二卷）、雨果《九三年》、萨特《呕吐》、布托《变》、莫里亚克《爱的荒漠》等。
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"Strait is the Gate," first published in 1909 in France as "La Porte etroite," is a novel about the failure of love in the face of the narrowness of the moral philosophy of Protestantism. --- Andr Gide (1869 - 1951) was a French author and winner of the Nobel Prize in literature in 1947. Gide's career spanned from the symbolist movement to the advent of anticolonialism in between the two World Wars. Gide's work can be seen as an investigation of freedom and empowerment in the face of moralistic and puritan constraints, and gravitates around his continuous effort to achieve intellectual honesty. His self-exploratory texts reflect his search of how to be fully oneself, without at the same time betraying one's values... --- "For Gide was very different from the picture most people had of him. He was the very reverse of an aesthete, and, as a writer, had nothing in common with the doctrine of art for art's sake. He was a man deeply involved in a specific struggle, a specific fight, who never wrote a line which he did not think was of service to the cause he had at heart." (Francois Mauriac)
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读后感
卡夫卡有个很牛逼的法律门前的说法，上学的时候根本不懂，觉得很莫名，但是后来看周房正行那个关于地铁猥亵案的片子，一下子打通任督二脉懂到一塌糊涂 看完这本书已经过了好几个月，突然想到，窄门这一部，可以说纪德就是把卡夫卡的法律之门变成了一个人在“爱”的门前徘徊...
评分纪德是个同性恋者，同时生活在19世纪中期到20世纪中期之间，我不知道是不是因为这样，他对于女性有一种无法摆脱的写作模式，在其中隐约表达出毛姆在《月亮与六便士》中对于女性的看法：理想是属于男性的，而爱情令永远无法独立的女性一事无成。 时代背景，历史局限性，一...
评分转自 http://hi.baidu.com/xiudi1985/blog/item/3660670ef8b244cd7bcbe1e8.html 安德烈·纪德，1949年诺贝尔文学奖得主，二十世纪法国著名作家，他的创作和精神在二十世纪西方思想和伦理的演变中产生过不容忽视的巨大影响。然而在他人眼中，他始终是个矛盾而多变的存在。 ...
评分法国人究竟还是从骨子里反圆满的，他们的浪漫包括了浓烈之爱，亦将迂回试探前前后后的狼狈与暧昧收入囊中，在纪德笔下，则又载上一重贯穿生命的信仰之愁，与情感百战纠结，不死不休。 《窄门》里的阿莉莎，便是一个恪守神道而压抑住内心挚诚真情的典型，面对青梅竹马的表弟热罗...
评分卡夫卡有个很牛逼的法律门前的说法，上学的时候根本不懂，觉得很莫名，但是后来看周房正行那个关于地铁猥亵案的片子，一下子打通任督二脉懂到一塌糊涂 看完这本书已经过了好几个月，突然想到，窄门这一部，可以说纪德就是把卡夫卡的法律之门变成了一个人在“爱”的门前徘徊...
用户评价
没有体会到平淡中的惊喜
评分“What are you waiting for to marry?" "To have forgotten a great many things" "Which are you hoping to forget soon?" "Which I do not hope ever to forget." ----------------------------------------------------------------------- The evening came slowly up like a grey tide, reaching and flooding each object which seemed to come to life again in the gloom and repeat in a whisper the story of its past. 读完了，我好压抑，虽然英译本的语言很出彩。
评分没有体会到平淡中的惊喜
评分“What are you waiting for to marry?" "To have forgotten a great many things" "Which are you hoping to forget soon?" "Which I do not hope ever to forget." ----------------------------------------------------------------------- The evening came slowly up like a grey tide, reaching and flooding each object which seemed to come to life again in the gloom and repeat in a whisper the story of its past. 读完了，我好压抑，虽然英译本的语言很出彩。
评分“What are you waiting for to marry?" "To have forgotten a great many things" "Which are you hoping to forget soon?" "Which I do not hope ever to forget." ----------------------------------------------------------------------- The evening came slowly up like a grey tide, reaching and flooding each object which seemed to come to life again in the gloom and repeat in a whisper the story of its past. 读完了，我好压抑，虽然英译本的语言很出彩。
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