Game Sound 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Karen Collins 作者

The MIT Press

译者

2008-10-31 出版日期

216 页数

USD 28.00 价格

Hardcover

丛书系列

9780262033787 图书编码

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发表于2024-11-22

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Game Sound 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Game Sound 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Game Sound 在线电子书用户评价

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Collins has written a truly encyclopedic work that wonderfully complements books on sound design in film, helping anyone in the audiovisual industry who desires to expand more confidently into teaching, designing, and producing audio in the gaming world. This book provides fascinating insights about how game audio can enhance player involvement in story, environment, and character, with specific examples on creating a more immersive, interactive experience. A monumental contribution!

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Game Sound 在线电子书著者简介

Game Sound 在线电子书图书目录

Game Sound 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Game Sound 在线电子书图书描述

A distinguishing feature of video games is their interactivity, and sound plays an important role in this: a player's actions can trigger dialogue, sound effects, ambient sound, and music. And yet game sound has been neglected in the growing literature on game studies. This book fills that gap, introducing readers to the many complex aspects of game audio, from its development in early games to theoretical discussions of immersion and realism. In Game Sound, Karen Collins draws on a range of sources--including composers, sound designers, voice-over actors and other industry professionals, Internet articles, fan sites, industry conferences, magazines, patent documents, and, of course, the games themselves--to offer a broad overview of the history, theory, and production practice of video game audio. Game Sound has two underlying themes: how and why games are different from or similar to film or other linear audiovisual media; and technology and the constraints it has placed on the production of game audio. Collins focuses first on the historical development of game audio, from penny arcades through the rise of home games and the recent rapid developments in the industry. She then examines the production process for a contemporary game at a large game company, discussing the roles of composers, sound designers, voice talent, and audio programmers; considers the growing presence of licensed intellectual property (particularly popular music and films) in games; and explores the function of audio in games in theoretical terms. Finally, she discusses the difficulties posed by nonlinearity and interactivity for the composer of game music.

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