Game Sound 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Karen Collins 作者

The MIT Press

譯者

2008-10-31 出版日期

216 頁數

USD 28.00 價格

Hardcover

叢書系列

9780262033787 圖書編碼

Game Sound 在線電子書圖書標籤: 音樂遊戲錄音創業 SHL

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發表於2024-11-26

Game Sound 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Game Sound 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Game Sound 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Game Sound 在線電子書用戶評價

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Collins has written a truly encyclopedic work that wonderfully complements books on sound design in film, helping anyone in the audiovisual industry who desires to expand more confidently into teaching, designing, and producing audio in the gaming world. This book provides fascinating insights about how game audio can enhance player involvement in story, environment, and character, with specific examples on creating a more immersive, interactive experience. A monumental contribution!

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Game Sound 在線電子書著者簡介

Game Sound 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Game Sound 在線電子書圖書描述

A distinguishing feature of video games is their interactivity, and sound plays an important role in this: a player's actions can trigger dialogue, sound effects, ambient sound, and music. And yet game sound has been neglected in the growing literature on game studies. This book fills that gap, introducing readers to the many complex aspects of game audio, from its development in early games to theoretical discussions of immersion and realism. In Game Sound, Karen Collins draws on a range of sources--including composers, sound designers, voice-over actors and other industry professionals, Internet articles, fan sites, industry conferences, magazines, patent documents, and, of course, the games themselves--to offer a broad overview of the history, theory, and production practice of video game audio. Game Sound has two underlying themes: how and why games are different from or similar to film or other linear audiovisual media; and technology and the constraints it has placed on the production of game audio. Collins focuses first on the historical development of game audio, from penny arcades through the rise of home games and the recent rapid developments in the industry. She then examines the production process for a contemporary game at a large game company, discussing the roles of composers, sound designers, voice talent, and audio programmers; considers the growing presence of licensed intellectual property (particularly popular music and films) in games; and explores the function of audio in games in theoretical terms. Finally, she discusses the difficulties posed by nonlinearity and interactivity for the composer of game music.

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