This is the basic reference guide to the international cinema. Put it next to your TV and VCR and you'll be able to answer the questions that inevitably arise when you watch a movie: "What other films has she been in?"; "Haven't I heard that director's name before?"; and "What in tarnation is a gaffer?" The Film Encyclopedia contains biographies and filmographies of actors, directors, producers, and cinematographers, as well as screenwriters, editors, musical directors, production designers, and critics. You can look up films by nationality and find a history of a given country's contribution to the art. Technical data is also indexed, so you can read not only about film stock and the apparatus of the camera, but also about the duties of the gaffer, the key grip, and the best boy. The book's introduction states that Ephraim Katz, who died in 1992, set out to write "the most comprehensive one-volume encyclopedia of world cinema ever published in the English language." The Film Encyclopedia contains more information than any other single-volume film reference and is also the best written movie guide of its kind. Because most of the entries were written by Katz himself, reading this book is like talking to a witty and learned film historian who has devoted his life to understanding--and loving--the cinema. --This text refers to an out of print or unavailable edition of this title.
For the last 15 years, the first edition of this title has served as a dependable source of brief film biographies, definitions of terms, explanations of technical film processes, and more. This second edition continues to provide the same comprehensive coverage, now increased by about 18 percent. Its claim to being an encyclopedia of world cinema is well founded, as there are entries for Zakes Mokae (South Africa), Pedro Almod{¢}ovar (Spain), Hector Babenco (Brazil), Zhang Yimou (China), Daniel Auteuil (France), and Juzo Itami (Japan), along with Ed Harris and Julia Roberts. As in the first edition, there are no entries for individual film titles. Filmographies are included for major actors and directors, and the biographical sketches include not only those two job titles but also composers, producers, screenwriters, art directors, cinematographers, etc. Of particular interest are the overviews of the film industry in individual countries, which provide the names of notable actors and directors and the titles of their films. Coverage of the U.S. film scene is up-to-date, biographical entries are provided for the likes of Linda Hamilton, Kirstie Alley, Sean Young, Tim Robbins, Debbie Allen, and Kyle MacLachlan. Indeed, the biographical entries are the mainstay of this work, which notes even 1993 and 1994 deaths of film notables.
Katz, author of the first edition, lived only long enough to complete about three-fourths of this new one. Those who followed him have fulfilled his original aim to produce "the most comprehensive one-volume encyclopedia of world cinema ever published in the English language." This is one instance where the content is accurately depicted by the cover blurb. Recommended for any reference collection in need of a world view of film. --This text refers to an out of print or unavailable edition of this title.
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我一直是个重度类型片爱好者,尤其是科幻、西部和黑色电影。《The Film Encyclopedia, 4th Edition》在这几个方面的内容简直是太对我的胃口了!这本书对各种电影类型的起源、发展以及代表性作品都有非常详尽的介绍。它不仅列出了那些耳熟能详的经典,还发掘了许多被低估的优秀影片,让我有机会接触到更多不同风格的作品。我尤其喜欢它对类型片中常见叙事结构、视觉符号和主题的分析,这让我能够更深入地理解为什么这些类型片能够吸引观众,以及它们在社会文化变迁中的作用。读到关于某部老式西部片如何塑造了英雄主义的形象,或者某部黑色电影如何反映了战后社会的焦虑,我都感到非常有趣。这本书的介绍让我能够更清晰地辨别不同类型片的特点,也更能欣赏到不同影片的独特性。对于和我一样喜欢特定类型的观众来说,这本书就像一个私人定制的电影宝库,满足了我对特定类型电影的探索欲。
评分我一直认为,一部好的电影百科应该能够激发读者对电影的热情,并引导他们去探索更多。《The Film Encyclopedia, 4th Edition》绝对做到了这一点。这本书的魅力在于它的包容性和启发性。它不仅仅是信息的堆砌,更是一种对电影的热爱和思考的传递。我发现,在阅读的过程中,我常常会因为书中介绍的某个演员、导演或者作品,而激发出强烈的观看欲望。它就像一个巨大的电影推荐列表,里面充满了惊喜和等待我去发现的宝藏。我喜欢它在介绍某些具有争议性的影片时,能够提供不同角度的解读,鼓励读者自己去形成判断。这本书的语言风格非常吸引人,既有学术的严谨,又不乏文学的趣味。它让我觉得,电影不仅仅是一种娱乐,更是一种能够触动人心的艺术形式,能够引发深刻的思考。这本书已经成为我床头常备的书籍,我总能在不经意间翻到某个有趣的内容,并引发我对电影新的思考和感悟。
评分不得不说,这本书的深度和广度都令人咋舌。我一直以为自己对电影已经有了相当程度的了解,但《The Film Encyclopedia, 4th Edition》的出现,彻底颠覆了我的认知。它不仅仅是罗列事实,更像是对电影艺术的深刻解读。对于那些我曾经津津乐道的作品,这本书提供了更宏观的视角,让我能够理解它们在电影史上的地位,以及它们是如何在特定社会文化背景下诞生的。我特别欣赏它对独立电影和非主流电影的关注,这部分内容常常被主流的书籍所忽略。通过这本书,我接触到了许多我从未听说过的优秀导演和他们的杰出作品,这极大地拓宽了我的电影视野。而且,作者在叙述时,语言既专业又不失生动,即使是复杂的电影理论,也能被讲解得通俗易懂。我常常沉浸在书中关于电影制作幕后故事的描述中,那些关于导演的创意、演员的表演以及技术革新的细节,让我对电影的制作过程有了全新的认识。这是一本值得反复阅读的书,每一次重读都会有新的发现和感悟,它让我更加热爱电影,也更加理解电影的魅力所在。
评分作为一名对电影幕后制作充满好奇的影迷,《The Film Encyclopedia, 4th Edition》为我打开了一个全新的世界。这本书不仅仅是关于电影本身的介绍,更是深入挖掘了电影工业的方方面面。我特别关注其中关于导演创作理念、摄影技巧、剪辑艺术以及配乐设计的章节。读到某个经典场景的拍摄手法,或者某个影片的剪辑风格是如何影响观众情绪的,我都会感到无比的兴奋。书中对不同时代电影技术发展历程的梳理,也让我惊叹于电影艺术的不断演进。从最初的黑白默片到如今的3D特效,每一个技术的革新都为电影带来了新的可能性。我喜欢它在介绍某位导演时,不仅仅罗列他的作品,更会深入分析他的个人风格和艺术追求,以及他如何塑造了电影的某个重要分支。这本书就像是一场电影艺术的深度导览,让我不仅能欣赏电影的成品,更能理解其背后的创作过程和艺术价值。对于想要深入了解电影制作的爱好者来说,这本书绝对是不可或缺的宝藏。
评分这本书简直就是电影爱好者的圣经!作为一名影迷,我一直梦想着能有一本涵盖如此广泛的电影信息的权威指南,而《The Film Encyclopedia, 4th Edition》完全超出了我的预期。它不仅仅是一本简单的名录,而是一部详尽的电影史诗。从早期黑白默片时代的开创性作品,到如今视觉效果炸裂的科幻巨制,几乎囊括了所有重要的电影流派、导演、演员和时代。我尤其喜欢它在介绍经典影片时,不仅列出基本信息,还深入探讨了其历史背景、艺术成就以及对后世电影产生的深远影响。阅读的过程就像在穿越时空的电影长河中遨游,每一次翻页都带来新的惊喜和启发。那些我曾经只是听说过但从未真正了解过的电影,通过这本书的介绍,瞬间变得生动起来。而且,这本书的排版和设计也十分用心,清晰的分类和易于查找的索引,让我在需要查阅特定信息时,能够迅速找到目标,大大提升了阅读体验。即使是对电影不太了解的朋友,也能从中找到入门的乐趣,它就像一位耐心而渊博的向导,引领你走进电影的奇妙世界。
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