大衛•格羅斯曼

David Grossman

大衛•格羅斯曼是享譽世界的以色列當代作傢。他1954年生於耶路撒冷，畢業於耶路撒冷希伯來大學哲學和戲劇專業，曾在以色列電颱做過多年編輯和新聞評論員。自二十世紀八十年代初以來，他已經齣版九部長篇小說和中短篇小說集、四部散文隨筆集以及童書、兒童劇等作品。

大衛•格羅斯曼的作品已被翻譯成36種文字在全世界齣版。他的作品除瞭獲得以色列諸多文學奬，也獲得多項國際奬項，包括德國紹爾兄妹文學奬、意大利弗拉亞諾奬、格林紮納•卡佛奬、濛特羅奬、伊斯基亞國際新聞奬。

《到大地盡頭》是他最近一部長篇小說，自2008年齣版以來，相繼獲得法國美第奇外國小說奬、德國君特•格拉斯基金會信天翁文學奬、英國《猶太季刊》溫蓋特奬。2010年，大衛•格羅斯曼榮獲著名的德國書業和平奬。

這部皇皇巨著甫一齣版即橫掃以色列暢銷書榜，很快售齣20餘國版權。連美國總統奧巴馬也在2011年選擇此書作為暑期讀物，一改隻讀偉人傳記的習慣。

大衛•格羅斯曼和奧茲、耶霍舒亞等作傢一樣，具有強烈的社會參與意識。他關心以色列社會和政治，筆觸探及當代以色列社會諸如占領地、巴以關係等敏感話題。

大衛•格羅斯曼和妻子住在耶路撒冷，育有三個子女。次子烏裏於2006年第二次黎巴嫩戰爭停火前夕，在前綫陣亡。

From one of Israel’s most acclaimed writers comes a novel of extraordinary power about family life—the greatest human drama—and the cost of war.

Ora, a middle-aged Israeli mother, is on the verge of celebrating her son Ofer’s release from army service when he returns to the front for a major offensive. In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander—a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew.

Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.