International Architecture in Interwar Japan 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


International Architecture in Interwar Japan

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Ken Tadashi Oshima 作者
University of Washington Press
譯者
2010-01-15 出版日期
320 頁數
USD 60.00 價格
Hardcover
叢書系列
9780295989440 圖書編碼

International Architecture in Interwar Japan 在線電子書 圖書標籤: 日本  建築理論  建築史   


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International Architecture in Interwar Japan 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

International Architecture in Interwar Japan 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

International Architecture in Interwar Japan 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



International Architecture in Interwar Japan 在線電子書 用戶評價

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有助於瞭解一百年前日本建築師是如何結閤現代建築和本民族文化的

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有助於瞭解一百年前日本建築師是如何結閤現代建築和本民族文化的

評分

有助於瞭解一百年前日本建築師是如何結閤現代建築和本民族文化的

評分

有助於瞭解一百年前日本建築師是如何結閤現代建築和本民族文化的

評分

有助於瞭解一百年前日本建築師是如何結閤現代建築和本民族文化的

International Architecture in Interwar Japan 在線電子書 著者簡介


International Architecture in Interwar Japan 在線電子書 著者簡介


International Architecture in Interwar Japan 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

International Architecture in Interwar Japan 在線電子書 圖書描述

After World War I, architects around the world aspired to transcend national boundaries devastated by conflicts, resulting in a flurry of artistic creativity. In Japan, a generation of young architects strove to create "international architecture," or kokusai kenchiku, a product of increasing international travel and communication, growth of the mass media, and technological innovation. Ken Tadashi Oshima traces the many interconnections between architects from Japan, Europe, and America and their designs during the inter war years by examining the careers and buildings of three leading modernists in Japan: Yamada Mamoru (1894-1966), Horiguchi Sutemi (1895-1984), and Antonin Raymond (1888-1976). Each espoused a new architecture encompassing modern forms and new materials, and all attempted to synthesize the novel with the old in distinctive ways. Combining wood and concrete, paper screens and sliding/swinging glass doors, tatami rooms and Western-style chairs, they achieved an innovative merging of international modernism and traditional Japanese practices. Their buildings accommodated the demands of modern living while remaining appropriate to Japan's climate, culture, and economy. Until now, little scholarship on Japanese modernist architecture has been available in English, and scholars have tended to isolate the Japanese work from architecture in the European-American sphere of influence. Oshima reverses this trend, exploring the influences that flowed in multiple directions between architects in Japan and their counterparts in Germany, Austria, the Netherlands, and elsewhere. Sadly, few of the buildings of Japan's inter war period withstood the destruction of World War II and the wrecking balls of subsequent decades of development. Yet Oshima uses a wealth of photographs that vividly capture the character of the burgeoning architectural media of the inter war years to generously illustrate the works and visions of these pioneering modernists. Ken Tadashi Oshima is assistant professor of architecture at the University of Washington.

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