From its founding in 1912, the short-lived Keystone Film Company - home of the frantic, bumbling Kops and Mack Sennett's Bathing Beauties - made an indelible mark on American popular culture with its high-energy comic shorts. Even as Keystone brought 'lowbrow' comic traditions to the screen, the studio played a key role in reformulating those traditions for a new, cross-class audience. In "The Fun Factory", Rob King explores the dimensions of that process, arguing for a new understanding of working-class cultural practices within early cinematic mass culture. He shows how Keystone fashioned a style of film comedy from the roughhouse humor of cheap theater, pioneering modes of representation that satirized film industry attempts at uplift. Interdisciplinary in its approach, "The Fun Factory" offers a unique studio history that views the changing politics of early film culture through the sociology of laughter.
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千禧年后很难见到这么详尽、扎实、视角独特的喜剧史研究了。作者将文本、话语和意识形态分析与喜剧的运行机制结合起来，绘制成了一本独特的美国早期喜剧专著。
评分千禧年后很难见到这么详尽、扎实、视角独特的喜剧史研究了。作者将文本、话语和意识形态分析与喜剧的运行机制结合起来，绘制成了一本独特的美国早期喜剧专著。
评分千禧年后很难见到这么详尽、扎实、视角独特的喜剧史研究了。作者将文本、话语和意识形态分析与喜剧的运行机制结合起来，绘制成了一本独特的美国早期喜剧专著。
评分千禧年后很难见到这么详尽、扎实、视角独特的喜剧史研究了。作者将文本、话语和意识形态分析与喜剧的运行机制结合起来，绘制成了一本独特的美国早期喜剧专著。
评分千禧年后很难见到这么详尽、扎实、视角独特的喜剧史研究了。作者将文本、话语和意识形态分析与喜剧的运行机制结合起来，绘制成了一本独特的美国早期喜剧专著。
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