Chris Marker's legendary "cine roman" ("film novel") La Jetee is considered one of the greatest and most influential experimental films of all time. This short film--a postapocalyptic story composed almost entirely of black-and-white still photographs--has been praised by cultural theorists and Netflix subscribers alike. In this illustrated study of La Jetee, Janet Harbord focuses in part on the film's treatment of time--its shifts from a pre-war past to a projected future a further future of the future (each with its own signature images and sound)--arguing that in this way it addresses the nature of consciousness and the simultaneity of time-frames that we inhabit. Harbord moves easily from a close reading of the film to discussions of broader cultural issues, lucidly piecing together the enigma that is La Jetee.
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涉及到電影和導演曆史觀的分析,如果不是對著filmmaker的寫作和理論一起分析,很多時候實在是太智者見智仁者見仁瞭。是啦,我就差說牽強附會瞭。
评分涉及到電影和導演曆史觀的分析,如果不是對著filmmaker的寫作和理論一起分析,很多時候實在是太智者見智仁者見仁瞭。是啦,我就差說牽強附會瞭。
评分涉及到電影和導演曆史觀的分析,如果不是對著filmmaker的寫作和理論一起分析,很多時候實在是太智者見智仁者見仁瞭。是啦,我就差說牽強附會瞭。
评分涉及到電影和導演曆史觀的分析,如果不是對著filmmaker的寫作和理論一起分析,很多時候實在是太智者見智仁者見仁瞭。是啦,我就差說牽強附會瞭。
评分涉及到電影和導演曆史觀的分析,如果不是對著filmmaker的寫作和理論一起分析,很多時候實在是太智者見智仁者見仁瞭。是啦,我就差說牽強附會瞭。
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