Film and Phenomenology 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Film and Phenomenology

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Allan Casebier 作者
Cambridge University Press
译者
2009-4-9 出版日期
176 页数
USD 31.99 价格
丛书系列
9780521108546 图书编码

Film and Phenomenology 在线电子书 图书标签: 电影  现象学  英国  研究  哲学  剑桥  theory  phenomenology   


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发表于2024-12-23


Film and Phenomenology 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Film and Phenomenology 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Film and Phenomenology 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Film and Phenomenology 在线电子书 用户评价

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我一直在想牛津、剑桥不待见文化研究反倒在电影研究里强调哲学研究和现象学的方法是不是维持它们贵族教育的传统(当然也有一些美国大学),这事儿还被一些香港人拿来说去年孔庆东骂人事件,感觉搞文化研究的都是学术暴发户一样用来兜售理论的,回来把香港搞得乌七八糟。当然,那篇文章是有点傻逼,不过我在想其中的焦虑很大程度上就是这本书里提到的关于现代电影理论建立在后现代理论和极端唯名论的不稳定基础上,用Roger的话说后现代理论就是唯名论走到的极端,而现象学的方法是反思这个理论基础。

评分

很有道理,可是接下来分析要怎么做。。。For Casebier himself wants nothing less than to turn this accusation of idealism against authors like Baudry or Metz, who reproached Husserl’s idealism, by calling them to be the actual idealists, whereas Husserl’s phenomenology is on the contrary sold as a solid resource for constructing a viable realist conception of cinema in

评分

我一直在想牛津、剑桥不待见文化研究反倒在电影研究里强调哲学研究和现象学的方法是不是维持它们贵族教育的传统(当然也有一些美国大学),这事儿还被一些香港人拿来说去年孔庆东骂人事件,感觉搞文化研究的都是学术暴发户一样用来兜售理论的,回来把香港搞得乌七八糟。当然,那篇文章是有点傻逼,不过我在想其中的焦虑很大程度上就是这本书里提到的关于现代电影理论建立在后现代理论和极端唯名论的不稳定基础上,用Roger的话说后现代理论就是唯名论走到的极端,而现象学的方法是反思这个理论基础。

评分

很有道理,可是接下来分析要怎么做。。。For Casebier himself wants nothing less than to turn this accusation of idealism against authors like Baudry or Metz, who reproached Husserl’s idealism, by calling them to be the actual idealists, whereas Husserl’s phenomenology is on the contrary sold as a solid resource for constructing a viable realist conception of cinema in

评分

很有道理,可是接下来分析要怎么做。。。For Casebier himself wants nothing less than to turn this accusation of idealism against authors like Baudry or Metz, who reproached Husserl’s idealism, by calling them to be the actual idealists, whereas Husserl’s phenomenology is on the contrary sold as a solid resource for constructing a viable realist conception of cinema in

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Film and Phenomenology 在线电子书 图书描述

In Film and Phenomenology, Allan Casebier develops a theory of representation first indicated in the writings of the father of phenomenology, Edmund Husserl, and then applies it to the case of cinematic representation. This work provides one of the clearest expositions of Husserl's highly influential but often obscure thought. It also demonstrates the power of phenomenology to illuminate the experience of the art form unique to the twentieth-century cinema. Film and Phenomenology is intended as an antidote to all hitherto existing theories about the nature of cinematic representation, whether issuing from classic sources such as the film theory of Andre Bazin or the post-structuralist synthesis of Lacanian psychoanalysis, Barthesian textual analysis and Metzean cine-semiotics. Casebier shows how a phenomenological account of representation will further the aims of any film theory. Developing a viable feminist film theory, legitimising the documentary, answering the challenge of Derridean deconstruction, properly theorising narrativity, Film and Phenomenology argues that theory of film must be Realist both with respect to epistemology and ontological issues. In this way, this work runs contrary to the whole course of contemporary film theory, which has been deeply anti-Realist.

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