Since its founding, Israel has become legendary for winning wars waged against it by much larger armies. But those were "conventional" conflicts where uniformed soldiers fought on clearly delineated fronts, using tanks, aircraft and artillery. Israel has not fared so well in the new wars of the twenty-first century, where key battles are fought on editorial pages and television screens, and especially on the internet, where photos from the combat zone can ricochet around the world minutes after being snapped. To understand why Israel has floundered on this new battlefield, Stephanie Gutmann, who lived in the Middle East as a teenager, returned to Jerusalem and the West Bank during the second intifada to observe modern news-gathering up close. In THE OTHER WAR she documents how regional political and military realities are dependent on a constantly shifting cast of international journalists on the prowl for "good pictures" (their motto: "if it bleeds, it leads") or career-making scoops, and sometimes guided by hardened anti-Israel ideology. In the midst of suicide bombings and armed response, Gutmann watched as the region and its people — Israeli and Palestinian alike — became cardboard cutouts in dramas predetermined by ratings-obsessed editors continents away. Gutmann introduces us to key players in the daily battles for headline supremacy: the mercenary freelance photographers who hawk their bloodiest pictures to the highest bidder; the TV "parachuters" who drop in on the unfolding Mideast tragedy to get their "face time" before flying off to the next international hotspot; the Palestinian Authority spinmeisters; the politically connected, media-savvy "fixers" whose translation services are not typically neutral. We also meet some of those in the trenches, people like Daniel Seaman, beleaguered director of Israel's Government Press Office; and Palestinian reporter Khaled Abu Toameh, who endeavors to do comprehensive reporting about a regime, the Palestinian Authority, that often silences critics brutally. Traveling into the disputed territories herself, Gutmann reconstructs the battle for Jenin, the death of the teenage martyr Mohammed al-Dura, and other climactic moments in the struggle for the world's hearts and minds. We learn! from her absorbing insider's account that there is a reality in this region never touched by the international press corps, and that as in other wars, truth is indeed the first casualty.
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我得说,这本书的文笔简直是教科书级别的示范。那种老派的、扎实的叙事功力,在如今这个追求快餐式阅读的时代显得尤为珍贵。每一个段落都经过了精心的打磨,用词精准而富有韵味,绝无半点赘余或矫揉造作。它构建的世界观复杂而自洽,历史的厚重感扑面而来,但作者又巧妙地将这些沉重的历史背景融入到生动的故事线中,使得阅读过程既有智力上的挑战,又不失情节上的流畅。我尤其喜欢它对环境和场景的描绘,那种氛围感的营造,让人感觉仿佛真的置身于那个特定的时空之中,空气中的味道、光线的角度都清晰可辨。这本书需要细细品味,你不能囫囵吞枣,只有慢下来,才能真正体会到其中蕴含的深意和作者构建的那个复杂宇宙的精妙结构。
评分这部作品的节奏掌握得炉火纯青,简直是一场阅读体验的过山车。开篇或许略显平缓,但一旦进入核心冲突,那种紧迫感便如同冰冷的铁链紧紧攫住了读者的心房,让人喘不过气。作者非常擅长运用悬念和伏笔,很多看似不经意的细节,在后文都会爆发出惊人的能量,使得每一次“原来如此”的感叹都来得恰到好处,而且绝不落入俗套。我发现自己完全被故事的内在逻辑所牵引,甚至影响到了我的日常作息,经常半夜惊醒,只为知道接下来会发生什么。这种全情投入的状态,是衡量一部小说是否成功的至高标准。它成功地在宏大叙事和个体情感之间找到了那个完美的平衡点,使得读者既关心历史走向,又为剧中人的命运揪心。
评分看完这本大部头,我感到了一种近乎筋疲力尽的满足感。说实话,这本书的阅读门槛不低,信息量极大,涉及的社会、政治、文化层面错综复杂,初读时确实需要集中十二分的注意力去梳理头绪。但正是这种挑战性,让最终的豁然开朗显得格外有价值。作者似乎对人类的愚昧和伟大都有着深刻的洞察力,他没有简单地进行道德审判,而是以一种近乎冷峻的客观视角,展示了“人”在极端压力下所能展现出的所有可能性。它不像那种读完就扔的娱乐小说,它更像是一部需要被反复阅读和研究的文献。我甚至花了好几个下午去查阅其中引用的某些历史背景资料,这种探索的过程本身也是阅读乐趣的一部分。这是一部真正能拓宽你认知边界的作品。
评分这本书简直是一部让人沉浸其中的史诗!作者对人物心理的刻画入木三分,每一个角色的挣扎、渴望和最终的蜕变都展现得淋漓尽致。我仿佛能透过文字感受到他们呼吸的节奏,品尝到他们命运的苦涩与甘甜。叙事手法高超,时而如涓涓细流般细腻地铺陈细节,时而又如同磅礴的瀑布般倾泻出令人震撼的转折。特别欣赏作者在构建宏大背景的同时,从未忽略个体命运的微光,那种在时代洪流中个体求存与反抗的张力,真是让人拍案叫绝。读完之后,很多情节和对话还在脑海中萦绕不去,久久不能平息。它不仅仅是一个故事,更像是一面映照人性的镜子,让人在阅读过程中不断审视自我,思考那些深刻的、关于生存与意义的终极命题。强烈推荐给所有热爱深度阅读,追求精神共鸣的读者。
评分说真的,这本书的文学性高得有些出乎意料。它不像传统的大众小说那样直接提供答案或慰藉,而是抛出无数个尖锐的问题,然后让你自己去思考。作者的笔触中流淌着一种难以言喻的忧郁和诗意,即使是描写最残酷的场景,文字本身也保持着一种令人敬畏的美感。我反复咀嚼了一些关于“选择与代价”的段落,那种哲学思辨的深度,已经超越了一般叙事文学的范畴。它更像是一部融合了历史学、社会学和存在主义哲学的杰作。如果你期待的是一部轻松愉快的消遣之作,那么请三思;但如果你渴望的是一场严肃的、挑战智力与情感的阅读朝圣,那么这本书绝对是你不容错过的里程碑式的作品。它会改变你对某些既有观念的看法。
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