The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Great Image Has No Form, or On the Nonobject through Painting

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François Jullien 作者
University Of Chicago Press
Jane Marie Todd 译者
2009-12-1 出版日期
288 页数
USD 60.00 价格
Hardcover
丛书系列
9780226415307 图书编码

The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 图书标签: 美学  艺术史  镜像依存  中国  西方  哲学  于连  东方   


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发表于2024-12-23


The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 用户评价

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比中文翻译的好读

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比中文翻译的好读

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比中文翻译的好读

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尽管作者的诠释已经算靠谱,但还是感觉怪怪的,谁让translation is impossible呢,更何况这种只能意会无法言传玄之又玄的东方哲学

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尽管作者的诠释已经算靠谱,但还是感觉怪怪的,谁让translation is impossible呢,更何况这种只能意会无法言传玄之又玄的东方哲学

The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 著者简介


The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 图书目录


The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 图书描述

In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, "The Great Image Has No Form" explores the 'nonobject' - a notion exemplified by paintings that do not seek to represent observable surroundings. Francois Jullien argues that this nonobjectifying approach stems from the painters' deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted.

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The Great Image Has No Form, or On the Nonobject through Painting 在线电子书 读后感

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<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...

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<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...

评分

<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...

评分

<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...

评分

<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...

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