The Great Image Has No Form, or On the Nonobject through Painting pdf epub mobi txt 电子书 下载 2025
- 美学
- 艺术史
- 镜像依存
- 中国
- 西方
- 哲学
- 于连
- 东方
In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, "The Great Image Has No Form" explores the 'nonobject' - a notion exemplified by paintings that do not seek to represent observable surroundings. Francois Jullien argues that this nonobjectifying approach stems from the painters' deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted.
具体描述
读后感
<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...
评分<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...
评分<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...
评分<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...
评分<Introduction> The genre of art that brings us closest to “thingness” is probably still life drawings, as apposed to abstract paintings that “transcend” concrete objects . Essentially speaking, it can be said to make a fundamental differentiation betwee...
用户评价
比中文翻译的好读
评分比中文翻译的好读
评分比中文翻译的好读
评分比中文翻译的好读
评分尽管作者的诠释已经算靠谱，但还是感觉怪怪的，谁让translation is impossible呢，更何况这种只能意会无法言传玄之又玄的东方哲学
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