The Guess Who. Gordon Lightfoot. Joni Mitchell. Neil Young. Stompin' Tom Connors. Robert Charlebois. Anne Murray. Crowbar. Chilliwack. Carole Pope. Loverboy. Bryan Adams. The Barenaked Ladies. The Tragically Hip. Celine Dion. Arcade Fire. K-oS. Feist. These musicians are national heroes to generations of Canadians. But what does it mean to be a Canadian musician? And why does nationality even matter? Canuck Rock addresses these questions by delving into the myriad relationships between the people who make music, the industries that produce and sell it, the radio stations and government legislation that determine availability, and the fans who consume it and make it their own. An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry. Combining archival material, published accounts, and new interviews, Ryan Edwardson explores how music in Canada became Canadian music.
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挺好的加拿大流行音乐史入门读物。主要侧重于60年代早期民谣，摇滚讲得不多。后面的篇幅集中在音乐工业和政策上，倒是不怎么关心。
评分挺好的加拿大流行音乐史入门读物。主要侧重于60年代早期民谣，摇滚讲得不多。后面的篇幅集中在音乐工业和政策上，倒是不怎么关心。
评分挺好的加拿大流行音乐史入门读物。主要侧重于60年代早期民谣，摇滚讲得不多。后面的篇幅集中在音乐工业和政策上，倒是不怎么关心。
评分挺好的加拿大流行音乐史入门读物。主要侧重于60年代早期民谣，摇滚讲得不多。后面的篇幅集中在音乐工业和政策上，倒是不怎么关心。
评分挺好的加拿大流行音乐史入门读物。主要侧重于60年代早期民谣，摇滚讲得不多。后面的篇幅集中在音乐工业和政策上，倒是不怎么关心。
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