Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting

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Olsen, Dale A. 作者
譯者
2008-6 出版日期
306 頁數
$ 141.25 價格
叢書系列
9780415988865 圖書編碼

Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting 在線電子書 圖書標籤: 音樂  ethnomusicology  EN   


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Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting 在線電子書 著者簡介


Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting 在線電子書 著者簡介


Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting 在線電子書 圖書描述

Based on the author's research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry.Vietnamese youth at the end of the second and beginning of the third millennium are influenced by the challenges generated by a number of seemingly opposite ideologies and realities, such as 'the past' versus 'the present,' socialism versus capitalism, and cultural traditionalism versus globalization. Vietnam has undergone a radical demographic shift with a very pronounced youth movement, and consequently, Vietnamese popular culture has been radically reshaped by a young population coming of age in the twenty-first century. As Olsen reveals, the way Vietnamese young people cope with these opposing and contrasting forces is often expressed in their active and passive music making.

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