Documentary Time 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Documentary Time

简体网页||繁体网页
Malin Wahlberg 作者
University of Minesota
译者
2008 出版日期
192 页数
67.5 价格
丛书系列
9780816649686 图书编码

Documentary Time 在线电子书 图书标签: Theory  纪录片研究  电影理论  现象学   


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发表于2024-11-05


Documentary Time 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Documentary Time 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Documentary Time 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Documentary Time 在线电子书 用户评价

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噎死我了。写哲学理论不是写文章不通顺的借口,更不是原因。

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噎死我了。写哲学理论不是写文章不通顺的借口,更不是原因。

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噎死我了。写哲学理论不是写文章不通顺的借口,更不是原因。

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噎死我了。写哲学理论不是写文章不通顺的借口,更不是原因。

评分

噎死我了。写哲学理论不是写文章不通顺的借口,更不是原因。

Documentary Time 在线电子书 著者简介

Malin Wahlberg was awarded her Ph. D. by Stockholm University in 2003 with a thesis titled, Figures of Time. Cinema, Phenomenology and the Event of Mediated Temporality.

Wahlberg has been a visiting research scholar at the Department of Comparative Literature, Film Studies Program, Yale University (2005/06) and at the Instituut Media en Representatie. Film- en Televisiewetenschap, Universiteit Utrecht (2004). She also held a postdoctoral position at ACSIS (Advanced Culture Studies Institute of Sweden), Link?ping University in 2005.


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Documentary Time 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Documentary Time 在线电子书 图书描述

An innovative theoretical reassessment of temporality in documentary films.

Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg’s sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. The configuration of time is crucial in organizing the sensory affects of film in general but, as Wahlberg adroitly demonstrates, in nonfiction films the problem of managing time is writ large by the moving image’s interaction with social memory and historical figures.

Wahlberg discusses a thought-provoking corpus of classical and recent experiments in film and video (including Andy Warhol’s films) in which creative approaches to the time of the image and the potential archive memory of filmic representation illuminates meanings of temporality and time experience. She also offers a methodological account of film and brings Deleuze and Ricoeur into dialogue with Bazin and Mitry on the subject of cinema and phenomenology.

Drawing attention to the cultural significance of the images’ imprint as a trace of the past, Documentary Time brings to bear phenomenological inquiry on nonfiction film while at the same time reconsidering the existential dimensions of time that have always puzzled humans.

“Wahlberg certainly succeeds in marking out some of the key questions in the context of a specialist area of experimental documentary filmmaking. The great value of this intervention is her vision of mapping out the share goal in the diverse discourses to inquire into the aesthetic, creative and experiential matters of film as a screen event. Documentary Time provides a wealth of materials to be reflected upon an indicates a lacunae that one hopes to see explored more substantially and widely in the canon of film and cinema studies.” —Leonardo Reviews

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