One of the most important figures in the history of modern Japanese photography. Yasuzo Nojima’s works range from kaiga shugi shashin (pictorial photography) to shink shashin (new/straight photography) of the early twentieth century. His earliest works are characterized by a density and heaviness echoing that of pictorialism, based in his subtle sensitivity and the pigment printing process, the mainstream printing method of that time. In the 1930s, his style took a drastic turn under the influence of new trends in German photography, shifting toward cropped gelatin silver prints in pursuit of a form of expression that is unique to the medium. Nojima was also known as an enthusiastic art lover, opening a gallery in Tokyo at his own expense, holding exhibitions of works by up-and-coming artists. This catalogue is composed of works from the Nojima Collection at Museum of Modern Art of Kyoto.
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阳光透过窗户照进来，打在女人的裸体上，很美。
评分意外之喜～ 日本战前摄影师 00s-20s 和当下日本主流审美截然不同的女性、风景 民艺运动消除的可能性之一
评分日本二十世纪初的美好，裹在和服里的日本温柔的女性裸体和柔媚的光线，像极了德加的画
评分不同阶段的摄影表现之美
评分日本二十世纪初的美好，裹在和服里的日本温柔的女性裸体和柔媚的光线，像极了德加的画
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