One of the most important figures in the history of modern Japanese photography. Yasuzo Nojima’s works range from kaiga shugi shashin (pictorial photography) to shink shashin (new/straight photography) of the early twentieth century. His earliest works are characterized by a density and heaviness echoing that of pictorialism, based in his subtle sensitivity and the pigment printing process, the mainstream printing method of that time. In the 1930s, his style took a drastic turn under the influence of new trends in German photography, shifting toward cropped gelatin silver prints in pursuit of a form of expression that is unique to the medium. Nojima was also known as an enthusiastic art lover, opening a gallery in Tokyo at his own expense, holding exhibitions of works by up-and-coming artists. This catalogue is composed of works from the Nojima Collection at Museum of Modern Art of Kyoto.
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阳光透过窗户照进来,打在女人的裸体上,很美。
评分野岛康三是日本最重要的摄影家之一,有点像日本的Stieglitz。本书为意大利莫迪那朱塞佩摄影博物馆展览画册,选自京都现代美术馆藏品,从1910年代的日本画意摄影到1930年代的受包豪斯影响的现代主义摄影。野岛看似画家素描习作的画意照片,揭示了二十世纪之初的宁静与美好。
评分非常棒!
评分野岛康三是日本最重要的摄影家之一,有点像日本的Stieglitz。本书为意大利莫迪那朱塞佩摄影博物馆展览画册,选自京都现代美术馆藏品,从1910年代的日本画意摄影到1930年代的受包豪斯影响的现代主义摄影。野岛看似画家素描习作的画意照片,揭示了二十世纪之初的宁静与美好。
评分阳光透过窗户照进来,打在女人的裸体上,很美。
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