One of the most important figures in the history of modern Japanese photography. Yasuzo Nojima’s works range from kaiga shugi shashin (pictorial photography) to shink shashin (new/straight photography) of the early twentieth century. His earliest works are characterized by a density and heaviness echoing that of pictorialism, based in his subtle sensitivity and the pigment printing process, the mainstream printing method of that time. In the 1930s, his style took a drastic turn under the influence of new trends in German photography, shifting toward cropped gelatin silver prints in pursuit of a form of expression that is unique to the medium. Nojima was also known as an enthusiastic art lover, opening a gallery in Tokyo at his own expense, holding exhibitions of works by up-and-coming artists. This catalogue is composed of works from the Nojima Collection at Museum of Modern Art of Kyoto.
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野村康三
评分绘画与摄影的临界之所在，被那种混合的美击中
评分意外之喜～ 日本战前摄影师 00s-20s 和当下日本主流审美截然不同的女性、风景 民艺运动消除的可能性之一
评分野岛康三，日本本格裸体摄影的创始人。只有震惊，如同油画一般的光泽，明暗，到位的抓拍，九十年前的肤如凝脂让人震撼。
评分非常棒！
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