One of the most important figures in the history of modern Japanese photography. Yasuzo Nojima’s works range from kaiga shugi shashin (pictorial photography) to shink shashin (new/straight photography) of the early twentieth century. His earliest works are characterized by a density and heaviness echoing that of pictorialism, based in his subtle sensitivity and the pigment printing process, the mainstream printing method of that time. In the 1930s, his style took a drastic turn under the influence of new trends in German photography, shifting toward cropped gelatin silver prints in pursuit of a form of expression that is unique to the medium. Nojima was also known as an enthusiastic art lover, opening a gallery in Tokyo at his own expense, holding exhibitions of works by up-and-coming artists. This catalogue is composed of works from the Nojima Collection at Museum of Modern Art of Kyoto.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
意外之喜～ 日本戰前攝影師 00s-20s 和當下日本主流審美截然不同的女性、風景 民藝運動消除的可能性之一 @2020-01-26 15:40:16
评分日本二十世紀初的美好，裹在和服裏的日本溫柔的女性裸體和柔媚的光綫，像極瞭德加的畫
评分非常棒！
评分日本二十世紀初的美好，裹在和服裏的日本溫柔的女性裸體和柔媚的光綫，像極瞭德加的畫
评分野島康三是日本最重要的攝影傢之一，有點像日本的Stieglitz。本書為意大利莫迪那硃塞佩攝影博物館展覽畫冊，選自京都現代美術館藏品，從1910年代的日本畫意攝影到1930年代的受包豪斯影響的現代主義攝影。野島看似畫傢素描習作的畫意照片，揭示瞭二十世紀之初的寜靜與美好。
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