One of the most important figures in the history of modern Japanese photography. Yasuzo Nojima’s works range from kaiga shugi shashin (pictorial photography) to shink shashin (new/straight photography) of the early twentieth century. His earliest works are characterized by a density and heaviness echoing that of pictorialism, based in his subtle sensitivity and the pigment printing process, the mainstream printing method of that time. In the 1930s, his style took a drastic turn under the influence of new trends in German photography, shifting toward cropped gelatin silver prints in pursuit of a form of expression that is unique to the medium. Nojima was also known as an enthusiastic art lover, opening a gallery in Tokyo at his own expense, holding exhibitions of works by up-and-coming artists. This catalogue is composed of works from the Nojima Collection at Museum of Modern Art of Kyoto.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
發黃的影調，肖像繪畫的影響，甚至浴女的幾張就是德加的翻版。
评分野島康三，日本本格裸體攝影的創始人。隻有震驚，如同油畫一般的光澤，明暗，到位的抓拍，九十年前的膚如凝脂讓人震撼。
评分oh 日本女人的眼睛
评分繪畫與攝影的臨界之所在，被那種混閤的美擊中
评分繪畫與攝影的臨界之所在，被那種混閤的美擊中
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