The Masque of Africa

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Sir Vidiadhar Surajprasad Naipaul Kt. TC (born 17 August 1932, in Chaguanas, Trinidad and Tobago), commonly known as V. S. Naipaul, is a British novelist and essayist of Indo-Trinidadian descent. He is widely considered to be one of the masters of modern English prose. He has been awarded numerous literary prizes including the John Llewellyn Rhys Prize (1958), the Somerset Maugham Award (1960), the Hawthornden Prize (1964), the W. H. Smith Literary Award (1968), the Booker Prize (1971), and the David Cohen Prize for a lifetime's achievement in British Literature (1993). V. S. Naipaul was awarded the Nobel Prize in Literature in 2001, the centenary year of the award.

In 2008, The Times ranked Naipaul seventh on their list of "The 50 greatest British writers since 1945".

出版者:Knopf
作者:V.S. Naipaul
出品人:
页数:256
译者:
出版时间:2010-10-19
价格:USD 26.95
装帧:Hardcover
isbn号码:9780307270733
丛书系列:
图书标签:
  • 非洲 
  • 文化 
  • Naipaul 
  • 旅行 
  • 文艺 
  • 历史 
  • 2010 
  • 未电 
  •  
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Like all of V. S. Naipaul's "travel" books, The Masque of Africa encompasses a much larger narrative and purpose: to judge the effects of belief (in indigenous animisms, the foreign religions of Christianity and Islam, the cults of leaders and mythical history) upon the progress of civilization.

from V.S.Naipaul:

For my travel books I travel on a theme. And the theme of The Masque of Africa is African belief. I begin in Uganda, at the center of the continent, do Ghana and Nigeria, the Ivory Coast and Gabon, and end at the bottom of the continent, in South Africa. My theme is belief, not political or economical life; and yet at the bottom of the continent the political realities are so overwhelming that they have to be taken into account.

Perhaps an unspoken aspect of my inquiry was the possibility of the subversion of old Africa by the ways of the outside world. The theme held until I got to the South, when the clash of the two ways of thinking and believing became far too one-sided. The skyscrapers of Johannesburg didn't rest on sand. The older world of magic felt fragile, but at the same time had an enduring quality. You felt that they would survive any calamity.

I had expected that over the great size of Africa the practices of magic would significantly vary. But they didn't. The diviners everywhere wanted to "throw the bones," to read the future and the idea of "energy" remained a constant, to be tapped into by the ritual sacrifice of body parts. In South Africa body parts, mainly of animals, but also of men and women, made a mixture of "battle medicine." To witness this, to be given some idea of its power, was to be taken far back to the beginning of things.

To reach that beginning was the purpose of my book.

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无论是在世的作家,还是已经归尘的作家,能够不拘泥于一种文明,甚至一种语言的,没有人能超过奈保尔。 马尔克斯是拉美作家,村上是亚洲—日本作家,昆德拉是欧洲—捷克作家,拉什迪是英语-印度作家,余华是中国作家,莫言是山东作家。。。 奈保尔不属于拉美,不属于印度,不属...  

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奈保尔一如既往地用他尽量冷静的视角去给读者带来来自遥远的非洲大陆的声音;尽管文笔中时刻凸显着他的立场和思维建构,但他仍然用客观的文字告诉我们如今非洲的模样——可以说他有如此种种之不好,但不可否认这本书仍然具有其宝贵的价值。 此书中作者所忧心忡忡的传统与现代之...  

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非小说文体的旅行记录是V.S.奈保尔(V.S.Naipaul,1932—)文学创作的重要组成部分。2010年10月出版的新作《非洲的假面剧——非洲信仰面面观》(The Masque of Africa: Glimpses of African Belief)是他的第十六本非小说作品,也是他的第三十本书。奈保尔的旅行记录主要集中在...  

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奈保尔2010年的新书,是他在非洲五国的游记。我一直奉他为当世游记文学写作第一人(之前他已经写了七本游记,包括著名的“印度三部曲”。) 奈保尔的游记,从来不会多去描写自然风光,而侧重历史、政治、文化方面的记录和观察,而这些大部分是通过重点介绍一个又一个人的故事...  

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凑热闹看一部诺奖作者的作品~不过,还是不能习惯modern对于“原始”的屈尊降贵。一种“啊,你们那些风俗还是蛮有趣的嘛,嗯,你们有一天会发展到我们这样的。不过其实你们保留你们的样子也蛮不错的。”最后关于南非的种族讨论,没什么新意吧。不过再次验证了所谓“真理与和解”,作为体制的强加,真是不管用的。毕竟,伤痛就是伤痛,岂是一句被引导而说出的原谅可以抹去?

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凑热闹看一部诺奖作者的作品~不过,还是不能习惯modern对于“原始”的屈尊降贵。一种“啊,你们那些风俗还是蛮有趣的嘛,嗯,你们有一天会发展到我们这样的。不过其实你们保留你们的样子也蛮不错的。”最后关于南非的种族讨论,没什么新意吧。不过再次验证了所谓“真理与和解”,作为体制的强加,真是不管用的。毕竟,伤痛就是伤痛,岂是一句被引导而说出的原谅可以抹去?

评分

凑热闹看一部诺奖作者的作品~不过,还是不能习惯modern对于“原始”的屈尊降贵。一种“啊,你们那些风俗还是蛮有趣的嘛,嗯,你们有一天会发展到我们这样的。不过其实你们保留你们的样子也蛮不错的。”最后关于南非的种族讨论,没什么新意吧。不过再次验证了所谓“真理与和解”,作为体制的强加,真是不管用的。毕竟,伤痛就是伤痛,岂是一句被引导而说出的原谅可以抹去?

评分

凑热闹看一部诺奖作者的作品~不过,还是不能习惯modern对于“原始”的屈尊降贵。一种“啊,你们那些风俗还是蛮有趣的嘛,嗯,你们有一天会发展到我们这样的。不过其实你们保留你们的样子也蛮不错的。”最后关于南非的种族讨论,没什么新意吧。不过再次验证了所谓“真理与和解”,作为体制的强加,真是不管用的。毕竟,伤痛就是伤痛,岂是一句被引导而说出的原谅可以抹去?

评分

凑热闹看一部诺奖作者的作品~不过,还是不能习惯modern对于“原始”的屈尊降贵。一种“啊,你们那些风俗还是蛮有趣的嘛,嗯,你们有一天会发展到我们这样的。不过其实你们保留你们的样子也蛮不错的。”最后关于南非的种族讨论,没什么新意吧。不过再次验证了所谓“真理与和解”,作为体制的强加,真是不管用的。毕竟,伤痛就是伤痛,岂是一句被引导而说出的原谅可以抹去?

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